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header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>The Pearl of Death</em> (Roy William Neill, 1944, 69 min.)</strong></h3>\n<p>The Sherlock Holmes story \"The Adventure of the Six Napoleons\" is the source for not one, but two entries in the Basil Rathbone/Nigel Bruce series of Holmes films produced by Universal. This film is a very close adaptation of the story, while Dressed to Kill, produced two years later at the end of the series, is more of an \"inspired by\" situation. The basic idea is the same: there\'s a secret hidden in one of several identical knick-knacks, and bad guys are willing to murder to get ahold of it. Here, as in Sir Arthur Conan Doyle\'s original story, the thing is the Borgia Pearl, a gem with a long history of bringing misfortune and death to those who possess it.</p>\n<p>We meet up with Holmes in disguise as an elderly priest. He\'s riding a boat to Dover, and he\'s befriended a young woman (Evelyn Ankers) who is actually a minion of the legendary criminal Giles Conover (Miles Mander). She\'s there to steal the Borgia Pearl from the guard transporting it to London. She unwittingly lets Holmes take possession of the pearl, and now Conover is desperate to get it back. The pearl is placed in a museum, and although Holmes warns them that Conover will attempt to steal it, the curator places it on display. Holmes attempts to demonstrate why the security measures they\'ve taken are insufficient, leading to what might be the first time that Holmes\'s legendary arrogance was the direct cause of a crime. On several occasions, he\'s knowingly placed people in harm\'s way, sometimes—as in <em>Terror by Night</em>—being responsible for their deaths. Here, he\'s directly responsible for the theft of the Borgia Pearl; while he\'s demonstrating the flaws in a museum\'s security system by disconnecting it, Conover dashes off with the pearl. He\'s quickly located, but the pearl is gone. Now Holmes has to find it to regain his reputation. Holmes learns of a series of seemingly unconnected murders—or at least the bumbling Lestrade (Dennis Hoey) thinks they\'re unconnected, despite the fact that all of them were killed in the same manner and that the murderer then smashed all of their china.</p>\n<p>This film would have been a perfect place to use Holmes\'s arch-nemesis, Professor Moriarty. If I have one consistent complaint about this series of films, it\'s that Moriarty doesn\'t appear often enough: he\'s in only three of them, and in only one (<em>The Woman in Green</em>) is he really effective. Instead, we get second-rate villains, like Conover here or Colonel Sebastian Moran in <em>Terror by Night</em>. However, we do meet a memorable villain, the Hoxton Creeper, played by the acromegalic actor Rondo Hatton. The Creeper, unseen except in silhouette for most of the film, murders by breaking the backs of his victims. I could be picky and say that his preferred method, breaking the third lumbar vertebra, is unlikely to produce instant death as it does in the film, but he\'s creepy enough to make me not give a hoot. The Creeper was such a hit in this film that Universal brought him back for two horror films in 1946, <em>House of Horror</em> and <em>The Brute Man</em>, before Hatton died of complications from his acromelagy.</p>\n<p>Aside from the Creeper, there\'s not a lot to distinguish this film. Rathbone is good as always, and he\'s allowed a tiny bit of character devlopment when he so royally screws up. Poor Nigel Bruce has only one substantial scene, and it\'s of Watson acting like a buffoon. It\'s certainly not the worst film in the series, but it\'s pretty weak.</p>\n<p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p>\n<p>Wilson Benge, 2nd of 5 appearances (playing second steward) <br />Harry Cording, 5th of 8 (George Gelder) <br />Harold De Becker, 3rd of 4 (boss) <br />Leslie Denison, 4th of 6 (Police Sergeant Murdock) <br />Holmes Herbert, 4th of 6 (James Goodram) <br />Leyland Hogdson, 5th of 7 (Customs officer) <br />Arthur Stenning, 2nd of 3 (first steward) <br />David Thursby, 2nd of 3 (unknown) <br />Eric Wilton, 3rd of 3 (Conover\'s chauffeur) <br />Ian Wolfe, 3rd of 4 (Amos Hodder)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Pearl of Death (1944)','','inherit','closed','closed','','343-autosave-v1','','','2019-07-30 02:36:49','2019-07-30 02:36:49','',343,'http://itcamefrombeyondpulp.com/uncategorized/343-autosave-v1/',0,'revision','',0),(347,1,'2019-07-30 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header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Pursuit to Algiers</em> (Roy William Neill, 1945, 65 min.)</strong></h3><p>In the worst of the Rathbone/Bruce series of Sherlock Holmes films, Holmes and Watson play nursemaids to a European king on a fraught voyage from England to Algiers, all \"in the name of democratic government.\" (I\'m usure how the death of a figurehead king could really affect a democratic government, and how a country ruled by a non-figurehead king could have much to do with democracy, but that\'s unimportant.) The film is marred by glacial pacing, its own silly premise, and a snowballing series of absurdities that eventually blot out the normal enjoyment of seeing Basil Rathbone and Nigel Bruce do their thing.</p><p>Although Watson wants to go on a relaxing vacation, Holmes allows himself to be involved in international intrigue once again. The king of a fictional European country has been murdered, and his government wants Holmes to escort the new king (Leslie Vincent) to the safety of Algiers, where loyalists will take him to his throne. Holmes and the king head off in an airplane, while Watson goes aboard a steamer as a distraction. Quickly, though, there\'s trouble: the airplane is shot down, and Holmes and the king are apparently dead. A distraught Watson discovers that the pair were never aboard the plane: they\'ve been on the steamer all along, and now they have to survive the murderous efforts of a trio of killers until they arrive in Algiers.</p><p>The film makes two grave mistakes: keeping Holmes out of the picture for too long, and then introducing him in a rather stupid manner. Aside from the overly clever beginning, when members of the government of a fictional European country enlist him to guard the new king, Holmes is out of the story for the first third of its running time. That leaves Watson as the primary focus, and although he\'s a genial enough fellow, he only really works when he\'s at Holmes\'s side. We\'re left with some mild comic relief as he suspiciously eyes the other passengers on the ship and develops a touching crush on the young Sheila (Marjorie Riordan). When Holmes reveals to Watson that he wasn\'t killed in the plane crash, the film makes its second misstep: having Holmes and the young Nikolas parade around the ship, drawing attention to themselves. Wouldn\'t it have been much better for them to stay concealed? In most films, I\'d just accept it with the knowledge that \"this is the film about the people who made a rather stupid mistake,\" but I can\'t really accept it from the master detective Sherlock Holmes. (One way to read it that would make it make sense is to view Holmes as having a death wish, but that\'s a darkness that is usually unwelcome in these effervescent films.)</p><p>From Holmes\'s appearance on the ship, things devolve into an almost sub–James Bond level of silly hijinks. Holmes quickly identifies the people sent to kill Nikolas, but he toys with them flippantly instead of doing anything about them. Even when Mirko (Martin Kosleck) the knife-thrower attempts to skewer him to death in his bed, Holmes merely laughs about his escape and slams the porthole shut. Perhaps he had grounds to call the authorities by this point. (Again, I know this is the movie about the master detective who didn\'t call the authorities, but it stretches our patience beyond what\'s acceptable.)</p><p>There are two fetching instances of self-reference in the film, perhaps signs that screenwriter Leonard Lee wanted to take the franchise into the postmodern (but perhaps not). During a dinner party, as Holmes attempts to figure out how the assassins are going to strike next, Watson is induced to tell a Sherlock Holmes story; readers familiar with the stories will know that Watson is their purported author, so having Watson tell a story within a story that Watson is presumably telling is quite clever. Then, in the last scene, where Holmes would usually give a patriotic speech (that\'s gone from this film, as is the exhortation to buy war bonds), instead he pokes fun at Watson\'s honest face: \"You\'d never make a good actor, old boy,\" he says. Since Nigel Bruce, playing Watson, is in fact a good actor, one could read this as a meta-comment on the film. Or not.</p><p><i>Nota bene</i>: The Internet Movie Database claims that this film is based on an original story by Sir Arthur Conan Doyle, but that\'s misleading. They list a story called \"The Return of Sherlock Holmes,\" but no such story exists: there\'s a collection of Holmes adventures by that title, but none of the stories in it even remotely resembles this plot. However, in one of these stories, Watson mentions in passing \"the affair of the steamship <i>Friesland</i> that so nearly cost us both our lives.\" He gives no details, and Leonard Lee made the rest up.</p><p>The series was clearly limping to a close. Bertrand Millhauser was gone, leaving Leonard Lee and Frank Gruber to split the writing chores on the final films. Only two films followed before Universal pulled the plug, <em>Terror by Night</em> and <em>Dressed to Kill</em>.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Wilson Benge, 4th of 5 appearances (as clergyman) <br />Gerald Hamer, 4th of 5 (Kingston) <br />Olaf Hytten, 5th of 6 (Simpson, the gunsmith) <br />Frederick Worlock, 5th of 6 (Prime Minister)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Pursuit to Algiers (1945)','','publish','closed','closed','','pursuit-to-algiers-1945','','','2019-07-30 03:13:22','2019-07-30 03:13:22','',0,'http://itcamefrombeyondpulp.com/?p=347',0,'post','',0),(348,1,'2019-07-30 03:12:40','2019-07-30 03:12:40','','algiers','','inherit','closed','closed','','algiers','','','2019-07-30 03:12:40','2019-07-30 03:12:40','',347,'http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/algiers.jpg',0,'attachment','image/jpeg',0),(349,1,'2019-07-30 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_builder_version=\"3.26.3\" width=\"1080px\" width_tablet=\"100%\" width_last_edited=\"on|phone\" module_alignment=\"center\" inner_module_alignment=\"center\" custom_padding=\"0px||0px||false|false\" z_index_tablet=\"500\" hover_enabled=\"0\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" prev_background_color=\"#000000\" next_background_color=\"#e02b20\" global_module=\"175\"][et_pb_fullwidth_menu global_parent=\"175\" menu_id=\"2\" submenu_direction=\"downwards\" fullwidth_menu=\"off\" dropdown_menu_text_color=\"#ffffff\" _builder_version=\"3.26.3\" menu_font=\"|800||on|||||\" menu_text_color=\"#ffffff\" menu_font_size=\"22px\" menu_letter_spacing=\"5px\" background_color=\"#e02b20\" border_width_bottom=\"5px\" text_orientation=\"center\" background_layout=\"dark\" custom_margin=\"0px||||false|false\" custom_padding=\"1px||0px||false|false\" z_index_tablet=\"500\" menu_text_shadow_horizontal_length_tablet=\"0px\" menu_text_shadow_vertical_length_tablet=\"0px\" menu_text_shadow_blur_strength_tablet=\"1px\" border_width_bottom_tablet=\"5px\" border_width_bottom_phone=\"5px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" /][/et_pb_section][et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" background_color=\"#e02b20\" width=\"1080px\" module_alignment=\"center\" custom_padding=\"10px||0px|||\" prev_background_color=\"#ffffff\"][et_pb_row _builder_version=\"3.26.3\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" background_color=\"#ffffff\" custom_padding=\"10px|10px||10px|false|false\" border_width_bottom=\"5px\" border_color_bottom=\"#e02b20\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" 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header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Pursuit to Algiers</em> (Roy William Neill, 1945, 65 min.)</strong></h3><p>In the worst of the Rathbone/Bruce series of Sherlock Holmes films, Holmes and Watson play nursemaids to a European king on a fraught voyage from England to Algiers, all \"in the name of democratic government.\" (I\'m usure how the death of a figurehead king could really affect a democratic government, and how a country ruled by a non-figurehead king could have much to do with democracy, but that\'s unimportant.) The film is marred by glacial pacing, its own silly premise, and a snowballing series of absurdities that eventually blot out the normal enjoyment of seeing Basil Rathbone and Nigel Bruce do their thing.</p><p>Although Watson wants to go on a relaxing vacation, Holmes allows himself to be involved in international intrigue once again. The king of a fictional European country has been murdered, and his government wants Holmes to escort the new king (Leslie Vincent) to the safety of Algiers, where loyalists will take him to his throne. Holmes and the king head off in an airplane, while Watson goes aboard a steamer as a distraction. Quickly, though, there\'s trouble: the airplane is shot down, and Holmes and the king are apparently dead. A distraught Watson discovers that the pair were never aboard the plane: they\'ve been on the steamer all along, and now they have to survive the murderous efforts of a trio of killers until they arrive in Algiers.</p><p>The film makes two grave mistakes: keeping Holmes out of the picture for too long, and then introducing him in a rather stupid manner. Aside from the overly clever beginning, when members of the government of a fictional European country enlist him to guard the new king, Holmes is out of the story for the first third of its running time. That leaves Watson as the primary focus, and although he\'s a genial enough fellow, he only really works when he\'s at Holmes\'s side. We\'re left with some mild comic relief as he suspiciously eyes the other passengers on the ship and develops a touching crush on the young Sheila (Marjorie Riordan). When Holmes reveals to Watson that he wasn\'t killed in the plane crash, the film makes its second misstep: having Holmes and the young Nikolas parade around the ship, drawing attention to themselves. Wouldn\'t it have been much better for them to stay concealed? In most films, I\'d just accept it with the knowledge that \"this is the film about the people who made a rather stupid mistake,\" but I can\'t really accept it from the master detective Sherlock Holmes. (One way to read it that would make it make sense is to view Holmes as having a death wish, but that\'s a darkness that is usually unwelcome in these effervescent films.)</p><p>From Holmes\'s appearance on the ship, things devolve into an almost sub–James Bond level of silly hijinks. Holmes quickly identifies the people sent to kill Nikolas, but he toys with them flippantly instead of doing anything about them. Even when Mirko (Martin Kosleck) the knife-thrower attempts to skewer him to death in his bed, Holmes merely laughs about his escape and slams the porthole shut. Perhaps he had grounds to call the authorities by this point. (Again, I know this is the movie about the master detective who didn\'t call the authorities, but it stretches our patience beyond what\'s acceptable.)</p><p>There are two fetching instances of self-reference in the film, perhaps signs that screenwriter Leonard Lee wanted to take the franchise into the postmodern (but perhaps not). During a dinner party, as Holmes attempts to figure out how the assassins are going to strike next, Watson is induced to tell a Sherlock Holmes story; readers familiar with the stories will know that Watson is their purported author, so having Watson tell a story within a story that Watson is presumably telling is quite clever. Then, in the last scene, where Holmes would usually give a patriotic speech (that\'s gone from this film, as is the exhortation to buy war bonds), instead he pokes fun at Watson\'s honest face: \"You\'d never make a good actor, old boy,\" he says. Since Nigel Bruce, playing Watson, is in fact a good actor, one could read this as a meta-comment on the film. Or not.</p><p><i>Nota bene</i>: The Internet Movie Database claims that this film is based on an original story by Sir Arthur Conan Doyle, but that\'s misleading. They list a story called \"The Return of Sherlock Holmes,\" but no such story exists: there\'s a collection of Holmes adventures by that title, but none of the stories in it even remotely resembles this plot. However, in one of these stories, Watson mentions in passing \"the affair of the steamship <i>Friesland</i> that so nearly cost us both our lives.\" He gives no details, and Leonard Lee made the rest up.</p><p>The series was clearly limping to a close. Bertrand Millhauser was gone, leaving Leonard Lee and Frank Gruber to split the writing chores on the final films. Only two films followed before Universal pulled the plug, <em>Terror by Night</em> and <em>Dressed to Kill</em>.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Wilson Benge, 4th of 5 appearances (as clergyman) <br />Gerald Hamer, 4th of 5 (Kingston) <br />Olaf Hytten, 5th of 6 (Simpson, the gunsmith) <br />Frederick Worlock, 5th of 6 (Prime Minister)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Pursuit to Algiers (1945)','','inherit','closed','closed','','347-revision-v1','','','2019-07-30 03:13:22','2019-07-30 03:13:22','',347,'http://itcamefrombeyondpulp.com/uncategorized/347-revision-v1/',0,'revision','',0),(351,1,'2019-07-30 03:16:51','2019-07-30 03:16:51','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" 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box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" prev_background_color=\"#000000\" next_background_color=\"#e02b20\" global_module=\"175\"][et_pb_fullwidth_menu global_parent=\"175\" menu_id=\"2\" submenu_direction=\"downwards\" fullwidth_menu=\"off\" dropdown_menu_text_color=\"#ffffff\" _builder_version=\"3.26.3\" menu_font=\"|800||on|||||\" menu_text_color=\"#ffffff\" menu_font_size=\"22px\" menu_letter_spacing=\"5px\" background_color=\"#e02b20\" border_width_bottom=\"5px\" text_orientation=\"center\" background_layout=\"dark\" custom_margin=\"0px||||false|false\" custom_padding=\"1px||0px||false|false\" z_index_tablet=\"500\" menu_text_shadow_horizontal_length_tablet=\"0px\" menu_text_shadow_vertical_length_tablet=\"0px\" menu_text_shadow_blur_strength_tablet=\"1px\" border_width_bottom_tablet=\"5px\" border_width_bottom_phone=\"5px\" box_shadow_horizontal_tablet=\"0px\" 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text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\r\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" 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header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Horror</h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Whatnot</h3><p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-revision-v1','','','2019-07-30 03:16:51','2019-07-30 03:16:51','',45,'http://itcamefrombeyondpulp.com/uncategorized/45-revision-v1/',0,'revision','',0),(359,1,'2019-08-03 21:54:16','2019-08-03 21:54:16','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" _builder_version=\"3.26.3\"][et_pb_image global_parent=\"74\" src=\"http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/header.jpg\" url=\"http://itcamefrombeyondpulp.com\" _builder_version=\"3.26.3\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" /][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section bb_built=\"1\" fullwidth=\"on\" _builder_version=\"3.26.3\" width=\"1080px\" width_tablet=\"100%\" width_last_edited=\"on|phone\" module_alignment=\"center\" inner_module_alignment=\"center\" custom_padding=\"0px||0px||false|false\" z_index_tablet=\"500\" hover_enabled=\"0\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" prev_background_color=\"#000000\" 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background_color=\"#e02b20\" width=\"1080px\" module_alignment=\"center\" custom_padding=\"10px||0px|||\" hover_enabled=\"0\" width_last_edited=\"on|tablet\" width_phone=\"100%\" width_tablet=\"100%\" prev_background_color=\"#ffffff\"][et_pb_row custom_padding=\"10px|10px||\" _builder_version=\"3.26.3\" background_color=\"#ffffff\" border_width_bottom=\"5px\" border_color_bottom=\"#e02b20\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"][et_pb_column type=\"4_4\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\n\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\n\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\n\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" 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ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\">Horror</h3>\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/disturbia-2007/\">Disturbia (2007)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-dreams-in-the-witch-house-2005/\"><strong>Masters of Horror: Dreams in the Witch-House (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-homecoming-2005/\"><strong>Masters of Horror: Homecoming (2005)</strong></a></p>\n\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" 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link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\">Whatnot</h3>\n<p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p>\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-voice-of-terror-1942/\"><strong>Sherlock Holmes and the Voice of Terror (1942)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-secret-weapon-1943/\">Sherlock Holmes and the Secret Weapon (1943)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-in-washington-1943/\">Sherlock Holmes in Washington (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-faces-death-1943/\">Sherlock Holmes Faces Death (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-scarlet-claw-1944/\">The Scarlet Claw (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-spider-woman-1944/\">The Spider Woman (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-woman-in-green-1945/\">The Woman in Green (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/terror-by-night-1946/\">Terror by Night (1946)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-autosave-v1','','','2019-08-03 21:54:16','2019-08-03 21:54:16','',45,'http://itcamefrombeyondpulp.com/uncategorized/45-autosave-v1/',0,'revision','',0),(352,1,'2019-07-30 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header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Scarlet Claw</em> (Roy William Neill, 1944, 74 min.)</strong></h3><p>Although this is one of the highest rated entries in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films—it\'s rated nearly a point higher than the superior <em>Sherlock Holmes in Washington</em> and <em>The Woman in Green</em> on the IMDB—it\'s one of the worst, barely escaping the bottom of the barrel by virtue of not being <em>Pursuit to Algiers</em>. If I describe it as basically being \"Scooby-Doo Meets Sherlock Holmes,\" I wouldn\'t be far from the film\'s basic problem: it\'s a series of red herrings where half of the characters turn out to be the bad guy in disguise. All that\'s missing is for the villain to shout \"I would have gotten away with it if it hadn\'t been for you and that fat doctor of yours!\" The plot recalls the superior <em>The Hound of the Baskervilles</em>, but also a template for a Scooby-Doo episode: a mysterious, glowing creature has been slashing the throats of sheep on the moors, but its latest victim is a woman; Holmes suspects that the killer is using a local legend as a cover for murder. I can\'t blame this film for resembling something that postdated it by over 20 years, but I can blame it for being too silly by half, for relying too much on poor Dr. Watson for comic relief, and for lacking any scenes or shots that made me take notice.</p><p><b>Baker Street Regulars:</b><br />Paul Cavanaugh (1st of 3 appearances, as Lord William Penrose)<br />Gerald Hamer (3rd of 5, as Alistair Ramson)<br />Arthur Hohl (2nd of 3, as Emile Journet)<br />Olaf Hytten (3rd of 6, as day desk clerk)<br />Eric Wilton (3rd of 3, as evening desk clerk)<br />Ian Wolfe (2nd of 4, as Drake)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Scarlet Claw (1944)','','publish','closed','closed','','the-scarlet-claw-1944','','','2019-07-30 12:14:44','2019-07-30 12:14:44','',0,'http://itcamefrombeyondpulp.com/?p=352',0,'post','',0),(353,1,'2019-07-30 12:14:13','2019-07-30 12:14:13','','claw','','inherit','closed','closed','','claw','','','2019-07-30 12:14:13','2019-07-30 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ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Scarlet Claw</em> (Roy William Neill, 1944, 74 min.)</strong></h3><p>Although this is one of the highest rated entries in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films—it\'s rated nearly a point higher than the superior <em>Sherlock Holmes in Washington</em> and <em>The Woman in Green</em> on the IMDB—it\'s one of the worst, barely escaping the bottom of the barrel by virtue of not being <em>Pursuit to Algiers</em>. If I describe it as basically being \"Scooby-Doo Meets Sherlock Holmes,\" I wouldn\'t be far from the film\'s basic problem: it\'s a series of red herrings where half of the characters turn out to be the bad guy in disguise. All that\'s missing is for the villain to shout \"I would have gotten away with it if it hadn\'t been for you and that fat doctor of yours!\" The plot recalls the superior <em>The Hound of the Baskervilles</em>, but also a template for a Scooby-Doo episode: a mysterious, glowing creature has been slashing the throats of sheep on the moors, but its latest victim is a woman; Holmes suspects that the killer is using a local legend as a cover for murder. I can\'t blame this film for resembling something that postdated it by over 20 years, but I can blame it for being too silly by half, for relying too much on poor Dr. Watson for comic relief, and for lacking any scenes or shots that made me take notice.</p><p><b>Baker Street Regulars:</b><br />Paul Cavanaugh (1st of 3 appearances, as Lord William Penrose)<br />Gerald Hamer (3rd of 5, as Alistair Ramson)<br />Arthur Hohl (2nd of 3, as Emile Journet)<br />Olaf Hytten (3rd of 6, as day desk clerk)<br />Eric Wilton (3rd of 3, as evening desk clerk)<br />Ian Wolfe (2nd of 4, as Drake)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Scarlet Claw (1944)','','inherit','closed','closed','','352-revision-v1','','','2019-07-30 12:14:44','2019-07-30 12:14:44','',352,'http://itcamefrombeyondpulp.com/uncategorized/352-revision-v1/',0,'revision','',0),(355,1,'2019-07-30 12:16:36','2019-07-30 12:16:36','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" 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Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>The Scarlet Claw</em> (Roy William Neill, 1944, 74 min.)</strong></h3>\n<p>Although this is one of the highest rated entries in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films—it\'s rated nearly a point higher than the superior <em>Sherlock Holmes in Washington</em> and <em>The Woman in Green</em> on the IMDB—it\'s one of the worst, barely escaping the bottom of the barrel by virtue of not being <em>Pursuit to Algiers</em>. If I describe it as basically being \"Scooby-Doo Meets Sherlock Holmes,\" I wouldn\'t be far from the film\'s basic problem: it\'s a series of red herrings where half of the characters turn out to be the bad guy in disguise. All that\'s missing is for the villain to shout \"I would have gotten away with it if it hadn\'t been for you and that fat doctor of yours!\" The plot recalls the superior <em>The Hound of the Baskervilles</em>, but also a template for a Scooby-Doo episode: a mysterious, glowing creature has been slashing the throats of sheep on the moors, but its latest victim is a woman; Holmes suspects that the killer is using a local legend as a cover for murder. I can\'t blame this film for resembling something that postdated it by over 20 years, but I can blame it for being too silly by half, for relying too much on poor Dr. Watson for comic relief, and for lacking any scenes or shots that made me take notice.</p>\n<p><b>Baker Street Regulars:</b><br />Paul Cavanaugh (1st of 3 appearances, as Lord William Penrose)<br />Gerald Hamer (3rd of 5, as Alistair Ramson)<br />Arthur Hohl (2nd of 3, as Emile Journet)<br />Olaf Hytten (3rd of 6, as day desk clerk)<br />Eric Wilton (3rd of 3, as evening desk clerk)<br />Ian Wolfe (2nd of 4, as Drake)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Scarlet Claw (1944)','','inherit','closed','closed','','352-autosave-v1','','','2019-07-30 12:16:36','2019-07-30 12:16:36','',352,'http://itcamefrombeyondpulp.com/uncategorized/352-autosave-v1/',0,'revision','',0),(356,1,'2019-07-30 12:20:26','2019-07-30 12:20:26','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" 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ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes and the Secret Weapon</em> (Roy William Neill, 1943, 68 min.)</strong></h3><p>It took Universal a while to get a handle on their modernized Sherlock Holmes movies. After Fox\'s two films, <em>The Hound of the Baskervilles</em> and <em>The Adventures of Sherlock Holmes</em>, Universal took over, making the undercooked <em>Sherlock Holmes and the Voice of Terror</em>, which squandered a great opening sequence. This was their second outing, and it still doesn\'t show much of the poise of the Fox entries or of the later Universal films. It wasn\'t until the next film, <em>Sherlock Holmes in Washington</em>, that all the elements come together.</p><p>In this film, which is more boring than bad, the Nazis are at it again. This time they want a top-secret bomb sight developed in Switzerland by Dr. Tobel (William Post Jr.). They\'re intending to kidnap him with the help of an elderly bookseller who has Tobel\'s trust. However, the Nazis don\'t realize that the bookseller is in fact Sherlock Holmes (Basil Rathbone) in disguise (one of the better makeup jobs so far in the series). Holmes hatches a daring and successful plan to fool the Nazis and get Tobel out of the country. Back in England, Holmes leaves Tobel in the care of the not-always-dependable Watson (Nigel Bruce), whose vigil is interrupted by a deep sleep. Taking advantage of this, Tobel sneaks out to visit his girlfriend Charlotte (Kaaren Verne) and hatch a plan to make sure the Nazis can\'t get their hands on the sight even if they capture him. He disassembles it into four parts, leaves one part with each of four Swiss scientists in London, and uses an elaborate code—stick-figure dancing men, taken from the film\'s source, Arthur Conan Doyle\'s story \"The Dancing Men\"—to record who has which parts. He\'s pretty sure the Nazis will get to him—and he\'s ensuring it by running around like a fool—so he wants Holmes to know where the parts are in case of trouble. Of course there\'s trouble, and it comes in the form of Holmes\'s arch-nemesis, Professor Moriarty (Lionel Atwill). Moriarty wants to sell either the invention or the inventor to the Nazis, and he quickly gets his hands on Tobel.</p><p>The plot hinges on Holmes and Moriarty racing to find the secret of the code. Both men quickly figure out the identities of the first three scientists, because Tobel\'s code isn\'t that tough. But the identity of the fourth man is hidden by an extra layer of coding. One flaw in the film\'s attempt to modernize Holmes is the way in which he discovers the secret message, even after Moriarty has stolen the paper on which Tobel wrote it. Tobel used a pad of paper and a pencil, and anyone—even The Dude in <em>The Big Lebowski</em>—knows that all you have to do is rub a pencil lightly over the next sheet down, and the message will appear in relief. Well, that\'s not enough for Universal\'s modern Holmes. He uses an elaborate system, immersing the paper in fluorescent salts, drying it, and photographing it in ultraviolet light to reveal the hidden message. I suppose he was never a boy scout.</p><p>Another flaw of the film is how Holmes interacts with Moriarty. Lionel Atwill, who was no stranger to being a bad guy, does a good job as Moriarty, the right combination of charm and thuggery; he makes a much better Moriarty than, say, George Zucco did in <em>The Adventures of Sherlock Holmes</em>. But Holmes doesn\'t seem to take him very seriously. The most boring section of the film is the leadup to the first meeting between the two. Holmes, in disguise as an escaped criminal, goes from gin joint to speakeasy to thieves\' den, asking where to find the big guy. This sequence goes on far too long; Roy William Neill, who directed the lion\'s share of the films in this series, has some visual signatures that crop up again and again, and his \"many shots of walking feet\" trick gets stale unless it\'s used in very small bits. The fact that Holmes saunters in unarmed, aside from a small knife, shows that he puts a little too much faith in Moriarty\'s sense of theater—the criminal mastermind would never simply shoot his enemy; instead, he would concoct an elaborate death scene, something that saves Holmes in their second, even sillier meeting in this film. The one thing of interest in their second meeting is Moriarty\'s comment, \"The needle to the last, eh Holmes?\" This is a reference to Holmes\'s cocaine addiction, mentioned a few times in Doyle\'s stories but mostly dropped from the films.</p><p>As I said, it\'s more boring than bad. The cinematography is good, as it usually is; Rathbone and Bruce are stellar as always; they finally found a suitable Moriarty in Atwill. But the pacing is slack, the big mystery not mysterious enough, and the showdowns between Holmes and Moriarty a bit too silly for my taste. Still, it\'s an improvement over the first Universal outing, and the series picked up after this.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>John Burton, 1st of 4 appearances (as RAF officer) <br />Harry Cording, 3rd of 8 (Jack Brady) <br />Harold De Becker, 1st of 4 (Peg Leg) <br />Leslie Denison, 2nd of 6 (bobby) <br />Holmes Herbert, 3rd of 6 (Sir Reginald Bailey) <br />Leyland Hodgson, 3rd of 7 (RAF officer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes and the Secret Weapon (1943)','','publish','closed','closed','','sherlock-holmes-and-the-secret-weapon-1943','','','2019-07-30 12:20:26','2019-07-30 12:20:26','',0,'http://itcamefrombeyondpulp.com/?p=356',0,'post','',0),(357,1,'2019-07-30 12:20:04','2019-07-30 12:20:04','','secret weapon','','inherit','closed','closed','','secret-weapon','','','2019-07-30 12:20:04','2019-07-30 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes and the Secret Weapon</em> (Roy William Neill, 1943, 68 min.)</strong></h3><p>It took Universal a while to get a handle on their modernized Sherlock Holmes movies. After Fox\'s two films, <em>The Hound of the Baskervilles</em> and <em>The Adventures of Sherlock Holmes</em>, Universal took over, making the undercooked <em>Sherlock Holmes and the Voice of Terror</em>, which squandered a great opening sequence. This was their second outing, and it still doesn\'t show much of the poise of the Fox entries or of the later Universal films. It wasn\'t until the next film, <em>Sherlock Holmes in Washington</em>, that all the elements come together.</p><p>In this film, which is more boring than bad, the Nazis are at it again. This time they want a top-secret bomb sight developed in Switzerland by Dr. Tobel (William Post Jr.). They\'re intending to kidnap him with the help of an elderly bookseller who has Tobel\'s trust. However, the Nazis don\'t realize that the bookseller is in fact Sherlock Holmes (Basil Rathbone) in disguise (one of the better makeup jobs so far in the series). Holmes hatches a daring and successful plan to fool the Nazis and get Tobel out of the country. Back in England, Holmes leaves Tobel in the care of the not-always-dependable Watson (Nigel Bruce), whose vigil is interrupted by a deep sleep. Taking advantage of this, Tobel sneaks out to visit his girlfriend Charlotte (Kaaren Verne) and hatch a plan to make sure the Nazis can\'t get their hands on the sight even if they capture him. He disassembles it into four parts, leaves one part with each of four Swiss scientists in London, and uses an elaborate code—stick-figure dancing men, taken from the film\'s source, Arthur Conan Doyle\'s story \"The Dancing Men\"—to record who has which parts. He\'s pretty sure the Nazis will get to him—and he\'s ensuring it by running around like a fool—so he wants Holmes to know where the parts are in case of trouble. Of course there\'s trouble, and it comes in the form of Holmes\'s arch-nemesis, Professor Moriarty (Lionel Atwill). Moriarty wants to sell either the invention or the inventor to the Nazis, and he quickly gets his hands on Tobel.</p><p>The plot hinges on Holmes and Moriarty racing to find the secret of the code. Both men quickly figure out the identities of the first three scientists, because Tobel\'s code isn\'t that tough. But the identity of the fourth man is hidden by an extra layer of coding. One flaw in the film\'s attempt to modernize Holmes is the way in which he discovers the secret message, even after Moriarty has stolen the paper on which Tobel wrote it. Tobel used a pad of paper and a pencil, and anyone—even The Dude in <em>The Big Lebowski</em>—knows that all you have to do is rub a pencil lightly over the next sheet down, and the message will appear in relief. Well, that\'s not enough for Universal\'s modern Holmes. He uses an elaborate system, immersing the paper in fluorescent salts, drying it, and photographing it in ultraviolet light to reveal the hidden message. I suppose he was never a boy scout.</p><p>Another flaw of the film is how Holmes interacts with Moriarty. Lionel Atwill, who was no stranger to being a bad guy, does a good job as Moriarty, the right combination of charm and thuggery; he makes a much better Moriarty than, say, George Zucco did in <em>The Adventures of Sherlock Holmes</em>. But Holmes doesn\'t seem to take him very seriously. The most boring section of the film is the leadup to the first meeting between the two. Holmes, in disguise as an escaped criminal, goes from gin joint to speakeasy to thieves\' den, asking where to find the big guy. This sequence goes on far too long; Roy William Neill, who directed the lion\'s share of the films in this series, has some visual signatures that crop up again and again, and his \"many shots of walking feet\" trick gets stale unless it\'s used in very small bits. The fact that Holmes saunters in unarmed, aside from a small knife, shows that he puts a little too much faith in Moriarty\'s sense of theater—the criminal mastermind would never simply shoot his enemy; instead, he would concoct an elaborate death scene, something that saves Holmes in their second, even sillier meeting in this film. The one thing of interest in their second meeting is Moriarty\'s comment, \"The needle to the last, eh Holmes?\" This is a reference to Holmes\'s cocaine addiction, mentioned a few times in Doyle\'s stories but mostly dropped from the films.</p><p>As I said, it\'s more boring than bad. The cinematography is good, as it usually is; Rathbone and Bruce are stellar as always; they finally found a suitable Moriarty in Atwill. But the pacing is slack, the big mystery not mysterious enough, and the showdowns between Holmes and Moriarty a bit too silly for my taste. Still, it\'s an improvement over the first Universal outing, and the series picked up after this.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>John Burton, 1st of 4 appearances (as RAF officer) <br />Harry Cording, 3rd of 8 (Jack Brady) <br />Harold De Becker, 1st of 4 (Peg Leg) <br />Leslie Denison, 2nd of 6 (bobby) <br />Holmes Herbert, 3rd of 6 (Sir Reginald Bailey) <br />Leyland Hodgson, 3rd of 7 (RAF officer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes and the Secret Weapon (1943)','','inherit','closed','closed','','356-revision-v1','','','2019-07-30 12:20:26','2019-07-30 12:20:26','',356,'http://itcamefrombeyondpulp.com/uncategorized/356-revision-v1/',0,'revision','',0),(360,1,'2019-07-30 12:23:34','2019-07-30 12:23:34','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" 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inner_module_alignment=\"center\" custom_padding=\"0px||0px||false|false\" z_index_tablet=\"500\" hover_enabled=\"0\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" prev_background_color=\"#000000\" next_background_color=\"#e02b20\" global_module=\"175\"][et_pb_fullwidth_menu global_parent=\"175\" menu_id=\"2\" submenu_direction=\"downwards\" fullwidth_menu=\"off\" dropdown_menu_text_color=\"#ffffff\" _builder_version=\"3.26.3\" menu_font=\"|800||on|||||\" menu_text_color=\"#ffffff\" menu_font_size=\"22px\" menu_letter_spacing=\"5px\" background_color=\"#e02b20\" border_width_bottom=\"5px\" text_orientation=\"center\" background_layout=\"dark\" custom_margin=\"0px||||false|false\" custom_padding=\"1px||0px||false|false\" z_index_tablet=\"500\" menu_text_shadow_horizontal_length_tablet=\"0px\" menu_text_shadow_vertical_length_tablet=\"0px\" menu_text_shadow_blur_strength_tablet=\"1px\" 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z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\r\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Horror</h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Whatnot</h3><p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-secret-weapon-1943/\">Sherlock Holmes and the Secret Weapon (1943)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-scarlet-claw-1944/\">The Scarlet Claw (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-revision-v1','','','2019-07-30 12:23:34','2019-07-30 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes and the Voice of Terror</em> (John Rawlins, 1942, 66 min.)</strong></h3><p>This first, \"modernized\" entry in the long-running Rathbone/Bruce series of Sherlock Holmes films can\'t be described as a rousing success. In fact, I wouldn\'t count it as a success at all. When Universal decided to revive the Holmes series by placing them in modern times and having them deal with modern problems, it was bound to undergo some growing pains; those pains are quite apparent here. The film is loosely based on one of Arthur Conan Doyle\'s original Sherlock Holmes stories, \"His Last Bow,\" but it doesn\'t <i>feel</i> right. Perhaps the studio hadn\'t quite nailed down a formula; I don\'t know, as I haven\'t seen the later entries yet. Perhaps I just balk at hearing Sherlock Holmes shout \"The Nazis killed him!\"</p><p>It\'s 1942, or thereabouts, and in a thrilling, perfectly constructed opening, we learn of the Voice of Terror, a taunting Nazi propagandist who berates the British for being weak and taunts them about a series of terrorist attacks carried out by Nazi agents operating with impunity. The authorities have no way of stopping the attacks or of finding out who the voice of terror really is, and the people of Britain are getting spooked. At a high-security meeting of a group called \"The Council\" (of what, I don\'t know), Sir Evan Barnham (Reginald Denny) informs his colleagues that he\'s solicited the help of the legendary detective. The other members of the council, especially Sir Alfred Lloyd (Henry Daniell), are upset at bringing in an eccentric civilian on the case, but when Holmes (Basil Rathbone) and Watson (Nigel Bruce) show up and give one of Holmes\'s patented \"you ate Brie on Tottenham Road last Tuesday\" demonstrations of his deductive reasoning, they mostly agree to let him help.</p><p>When Holmes\'s assistant Gavin (Robert Barron) is murdered by a mysterious Bavarian knife-thrower, Holmes turns to London\'s underworld for assistance, beseeching his widow Kitty (Evelyn Ankers) to help him not for her own sake but for the sake of England. The scene where Holmes and then Kitty appeal to the assorted lowlifes and criminals in a shady bar is a bit tough to watch; Universal used the revived series, like most films released during the war, to trumpet patriotism and pro-Allied gung-ho can-do-it-ness. It hasn\'t aged well at all, coming off as shrill and completely incongruous for Arthur Conan Doyle\'s character. The criminal element fall in line behind Holmes, serving as his super-efficient information-gathering squad and ready muscle. Holmes quickly tracks the voice of terror to its source, and that\'s when it all gets highly silly.</p><p>The rest of the film, from the revelation of the covert Nazi agent\'s identity to the finale, where we learn the identity of the inner-circle diplomat responsible for information leaks, depends on two incredible and impossible bits of knowledge that Holmes acquires without any apparent source. It\'s as if the screenwriters couldn\'t be bothered to explain how he came to know these tidbits; it\'s Sherlock Holmes, perhaps they argued, and he knows stuff like that. Or perhaps the film\'s short 66-minute running time prevented them from filling in the Maginot line of plot holes. First is the identity of the Nazi agent, a man named Meade (Thomas Gomez). Can anyone explain how Holmes got from letting Meade escape the waterfront warehouse to knowing his name and address? Holmes enlists the help of Kitty again, sending her to infiltrate Meade\'s affections and figure out his grand plans. The second big revelation comes at the end, when Holmes reveals that a major character is in fact a fraud, a German plant done up to look like a British nobleman and inserted into British society back in 1924, when, apparently, the Germans were already planning World War II. Holmes orchestrates one of his patented gatherings-of-suspects and dramatically reveals his damning information, and I guess viewers were supposed to be so shocked that they wouldn\'t question the source of Holmes\'s information.</p><p>The sense that this Holmes is disconnected from his past incarnations did not abate throughout. Time after time, I was taken out of the film, reacting to such things as Holmes\'s modern haircut and the fedora he wears (although there\'s a funny scene where he\'s about to put on his signature deerstalker and Watson won\'t let him). It almost completely lacks the moody atmosphere and tight pacing of the previous two films, <em>The Adventures of Sherlock Holmes</em> and <em>The Hound of the Baskervilles</em>. Universal released eleven more films in this series in four years; thankfully the series gets better.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 1st of 3 appearances (as Jill Grandis) <br />Harry Cording, 2rd of 8 (Camberwell, dive patron) <br />Henry Daniell, 1st of 3 (Sir Alfred Lloyd) <br />Leslie Denison, 1st of 6 (Air Raid Warden Dobson) <br />Leyland Hodgson, 2nd of 7 (Capt. Roland Shore) <br />Olaf Hytten, 1st of 6 (Adm. Sir John Prentiss) <br />Gavin Muir, 1st of 4 (BBC radio announcer) <br />Arthur Stenning, 1st of 3 (unidentified officer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes and the Voice of Terror (1942)','','publish','closed','closed','','sherlock-holmes-and-the-voice-of-terror-1942','','','2019-07-30 15:32:13','2019-07-30 15:32:13','',0,'http://itcamefrombeyondpulp.com/?p=361',0,'post','',0),(362,1,'2019-07-30 15:31:51','2019-07-30 15:31:51','','voice','','inherit','closed','closed','','voice','','','2019-07-30 15:31:51','2019-07-30 15:31:51','',361,'http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/voice.jpg',0,'attachment','image/jpeg',0),(363,1,'2019-07-30 15:32:13','2019-07-30 15:32:13','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" 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header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes and the Voice of Terror</em> (John Rawlins, 1942, 66 min.)</strong></h3><p>This first, \"modernized\" entry in the long-running Rathbone/Bruce series of Sherlock Holmes films can\'t be described as a rousing success. In fact, I wouldn\'t count it as a success at all. When Universal decided to revive the Holmes series by placing them in modern times and having them deal with modern problems, it was bound to undergo some growing pains; those pains are quite apparent here. The film is loosely based on one of Arthur Conan Doyle\'s original Sherlock Holmes stories, \"His Last Bow,\" but it doesn\'t <i>feel</i> right. Perhaps the studio hadn\'t quite nailed down a formula; I don\'t know, as I haven\'t seen the later entries yet. Perhaps I just balk at hearing Sherlock Holmes shout \"The Nazis killed him!\"</p><p>It\'s 1942, or thereabouts, and in a thrilling, perfectly constructed opening, we learn of the Voice of Terror, a taunting Nazi propagandist who berates the British for being weak and taunts them about a series of terrorist attacks carried out by Nazi agents operating with impunity. The authorities have no way of stopping the attacks or of finding out who the voice of terror really is, and the people of Britain are getting spooked. At a high-security meeting of a group called \"The Council\" (of what, I don\'t know), Sir Evan Barnham (Reginald Denny) informs his colleagues that he\'s solicited the help of the legendary detective. The other members of the council, especially Sir Alfred Lloyd (Henry Daniell), are upset at bringing in an eccentric civilian on the case, but when Holmes (Basil Rathbone) and Watson (Nigel Bruce) show up and give one of Holmes\'s patented \"you ate Brie on Tottenham Road last Tuesday\" demonstrations of his deductive reasoning, they mostly agree to let him help.</p><p>When Holmes\'s assistant Gavin (Robert Barron) is murdered by a mysterious Bavarian knife-thrower, Holmes turns to London\'s underworld for assistance, beseeching his widow Kitty (Evelyn Ankers) to help him not for her own sake but for the sake of England. The scene where Holmes and then Kitty appeal to the assorted lowlifes and criminals in a shady bar is a bit tough to watch; Universal used the revived series, like most films released during the war, to trumpet patriotism and pro-Allied gung-ho can-do-it-ness. It hasn\'t aged well at all, coming off as shrill and completely incongruous for Arthur Conan Doyle\'s character. The criminal element fall in line behind Holmes, serving as his super-efficient information-gathering squad and ready muscle. Holmes quickly tracks the voice of terror to its source, and that\'s when it all gets highly silly.</p><p>The rest of the film, from the revelation of the covert Nazi agent\'s identity to the finale, where we learn the identity of the inner-circle diplomat responsible for information leaks, depends on two incredible and impossible bits of knowledge that Holmes acquires without any apparent source. It\'s as if the screenwriters couldn\'t be bothered to explain how he came to know these tidbits; it\'s Sherlock Holmes, perhaps they argued, and he knows stuff like that. Or perhaps the film\'s short 66-minute running time prevented them from filling in the Maginot line of plot holes. First is the identity of the Nazi agent, a man named Meade (Thomas Gomez). Can anyone explain how Holmes got from letting Meade escape the waterfront warehouse to knowing his name and address? Holmes enlists the help of Kitty again, sending her to infiltrate Meade\'s affections and figure out his grand plans. The second big revelation comes at the end, when Holmes reveals that a major character is in fact a fraud, a German plant done up to look like a British nobleman and inserted into British society back in 1924, when, apparently, the Germans were already planning World War II. Holmes orchestrates one of his patented gatherings-of-suspects and dramatically reveals his damning information, and I guess viewers were supposed to be so shocked that they wouldn\'t question the source of Holmes\'s information.</p><p>The sense that this Holmes is disconnected from his past incarnations did not abate throughout. Time after time, I was taken out of the film, reacting to such things as Holmes\'s modern haircut and the fedora he wears (although there\'s a funny scene where he\'s about to put on his signature deerstalker and Watson won\'t let him). It almost completely lacks the moody atmosphere and tight pacing of the previous two films, <em>The Adventures of Sherlock Holmes</em> and <em>The Hound of the Baskervilles</em>. Universal released eleven more films in this series in four years; thankfully the series gets better.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 1st of 3 appearances (as Jill Grandis) <br />Harry Cording, 2rd of 8 (Camberwell, dive patron) <br />Henry Daniell, 1st of 3 (Sir Alfred Lloyd) <br />Leslie Denison, 1st of 6 (Air Raid Warden Dobson) <br />Leyland Hodgson, 2nd of 7 (Capt. Roland Shore) <br />Olaf Hytten, 1st of 6 (Adm. Sir John Prentiss) <br />Gavin Muir, 1st of 4 (BBC radio announcer) <br />Arthur Stenning, 1st of 3 (unidentified officer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes and the Voice of Terror (1942)','','inherit','closed','closed','','361-revision-v1','','','2019-07-30 15:32:13','2019-07-30 15:32:13','',361,'http://itcamefrombeyondpulp.com/uncategorized/361-revision-v1/',0,'revision','',0),(364,1,'2019-07-30 15:33:39','2019-07-30 15:33:39','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" 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width_last_edited=\"on|tablet\" width_phone=\"100%\" width_tablet=\"100%\" prev_background_color=\"#ffffff\"][et_pb_row custom_padding=\"10px|10px||\" _builder_version=\"3.26.3\" background_color=\"#ffffff\" border_width_bottom=\"5px\" border_color_bottom=\"#e02b20\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"][et_pb_column type=\"4_4\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\r\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Horror</h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Whatnot</h3><p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-voice-of-terror-1942/\"><strong>Sherlock Holmes and the Voice of Terror (1942)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-secret-weapon-1943/\">Sherlock Holmes and the Secret Weapon (1943)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-scarlet-claw-1944/\">The Scarlet Claw (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-revision-v1','','','2019-07-30 15:33:39','2019-07-30 15:33:39','',45,'http://itcamefrombeyondpulp.com/uncategorized/45-revision-v1/',0,'revision','',0),(365,1,'2019-07-30 21:14:19','2019-07-30 21:14:19','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" 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header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes Faces Death</em> (Roy William Neill, 1943, 68 min.)</strong></h3><p>If you see the title of this film and think, \"What\'s new?\" you\'re both right and wrong. Sure, the brilliant Holmes (Basil Rathbone) faces death in every adventure, especially in the modernized series of Universal films where he faces off against Nazis and spies. But there is a newness to this installment—even though that newness is a return to an older mode, so perhaps I\'ve just talked myself into a corner. Although this film, like the three before it, places Holmes and his trusty friend Watson (Nigel Bruce) in Word War II–era England, for the first time since Universal took over the series they\'re up against good, old-fashioned murderers. Sir Arthur Conan Doyle would have been pleased.</p><p>This film, which is actually based on an original Holmes story by Doyle, \"The Musgrave Ritual,\" has our heroes investigating an apparently cursed family. While Watson is helping out at Musgrave Manor, which is serving as a convalescent home for shell-shocked officers, his young assistant, Dr. Sexton (Arthur Margetson), is attacked and nearly killed. Watson heads for London to bring Holmes back with him, but it\'s too late: upon their return, they find the head of the household, Geoffrey Musgrave (Frederick Worlock), dead. The lead suspect is an American airman, Vickery (Milburn Stone), who is in love with Musgrave\'s younger sister Sally (Hillary Brooke) and planned to marry her against Geoffrey\'s wishes. The always-befuddled Inspector Lestrade (Dennis Hoey) quickly arrests him, but Holmes isn\'t convinced.</p><p>Suspects abound: there\'s the angry, drunken, eavesdropping manservant Brunton (Halliwell Hobbes); his secret wife Mrs. Howells (Minna Phillips); Musgrave\'s cocky younger brother Phillip (Gavin Muir); and several of the convalescing soldiers, all of whom act suspiciously. The great fun in this film is watching as all of the red herrings develop, and attempting to read Rathbone\'s face for clues as to whom he believes and whom he suspects. Watson manages to be something more than comic relief, although he does provide plenty of that. More annoying is Lestrade, who is a long way from London and who is present only to act like an idiot.</p><p>There are welcome elements of the supernatural that were missing from the first three Universal outings: a clock that strikes thirteen just before someone dies, an ancient family ritual that speaks of murder, a raven that can say the word \"blood,\" and a catacomb of hidden passages through the ancient house. The only real problem with the film is that it takes a while to get going; almost the first half-hour is spent shoveling in backstory and introducing the bevy of characters. Once the fireworks start, though, it\'s nonstop action and suspense, with a particularly ingenious ending that pits Holmes against the killer\'s ego.</p><p>Rathbone and Bruce are great, as always. Director Roy William Neill, helming his third of eleven Holmes films, flounders a bit at first, but when he\'s on, he\'s a master of efficient action and suspense. Screenwriter Bertram Millhauser, writing his second of four films in the series, likely can\'t be blamed for the awkward and chatty first half of the film, since he provided the backstory in as efficient a manner as possible. Watch for future Rat Pack member Peter Lawford as a sailor in the bar at the beginning of the film.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 2nd of 3 appearances (as Sally Musgrave) <br />Harold De Becker, 2nd of 4 (Pub Proprietor) <br />Gerald Hamer, 2nd of 5 (Major Langford) <br />Olaf Hytten, 2nd of 6 (Capt. MacIntosh) <br />Gavin Muir, 3rd of 4 (Phillip Musgrave) <br />Frederick Worlock, 2nd of 6 (Geoffrey Musgrave)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes Faces Death (1943)','','publish','closed','closed','','sherlock-holmes-faces-death-1943','','','2019-07-30 21:14:19','2019-07-30 21:14:19','',0,'http://itcamefrombeyondpulp.com/?p=365',0,'post','',0),(366,1,'2019-07-30 21:12:56','2019-07-30 21:12:56','','faces death','','inherit','closed','closed','','faces-death','','','2019-07-30 21:12:56','2019-07-30 21:12:56','',365,'http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/faces-death.jpg',0,'attachment','image/jpeg',0),(367,1,'2019-07-30 21:14:19','2019-07-30 21:14:19','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" 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header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes Faces Death</em> (Roy William Neill, 1943, 68 min.)</strong></h3><p>If you see the title of this film and think, \"What\'s new?\" you\'re both right and wrong. Sure, the brilliant Holmes (Basil Rathbone) faces death in every adventure, especially in the modernized series of Universal films where he faces off against Nazis and spies. But there is a newness to this installment—even though that newness is a return to an older mode, so perhaps I\'ve just talked myself into a corner. Although this film, like the three before it, places Holmes and his trusty friend Watson (Nigel Bruce) in Word War II–era England, for the first time since Universal took over the series they\'re up against good, old-fashioned murderers. Sir Arthur Conan Doyle would have been pleased.</p><p>This film, which is actually based on an original Holmes story by Doyle, \"The Musgrave Ritual,\" has our heroes investigating an apparently cursed family. While Watson is helping out at Musgrave Manor, which is serving as a convalescent home for shell-shocked officers, his young assistant, Dr. Sexton (Arthur Margetson), is attacked and nearly killed. Watson heads for London to bring Holmes back with him, but it\'s too late: upon their return, they find the head of the household, Geoffrey Musgrave (Frederick Worlock), dead. The lead suspect is an American airman, Vickery (Milburn Stone), who is in love with Musgrave\'s younger sister Sally (Hillary Brooke) and planned to marry her against Geoffrey\'s wishes. The always-befuddled Inspector Lestrade (Dennis Hoey) quickly arrests him, but Holmes isn\'t convinced.</p><p>Suspects abound: there\'s the angry, drunken, eavesdropping manservant Brunton (Halliwell Hobbes); his secret wife Mrs. Howells (Minna Phillips); Musgrave\'s cocky younger brother Phillip (Gavin Muir); and several of the convalescing soldiers, all of whom act suspiciously. The great fun in this film is watching as all of the red herrings develop, and attempting to read Rathbone\'s face for clues as to whom he believes and whom he suspects. Watson manages to be something more than comic relief, although he does provide plenty of that. More annoying is Lestrade, who is a long way from London and who is present only to act like an idiot.</p><p>There are welcome elements of the supernatural that were missing from the first three Universal outings: a clock that strikes thirteen just before someone dies, an ancient family ritual that speaks of murder, a raven that can say the word \"blood,\" and a catacomb of hidden passages through the ancient house. The only real problem with the film is that it takes a while to get going; almost the first half-hour is spent shoveling in backstory and introducing the bevy of characters. Once the fireworks start, though, it\'s nonstop action and suspense, with a particularly ingenious ending that pits Holmes against the killer\'s ego.</p><p>Rathbone and Bruce are great, as always. Director Roy William Neill, helming his third of eleven Holmes films, flounders a bit at first, but when he\'s on, he\'s a master of efficient action and suspense. Screenwriter Bertram Millhauser, writing his second of four films in the series, likely can\'t be blamed for the awkward and chatty first half of the film, since he provided the backstory in as efficient a manner as possible. Watch for future Rat Pack member Peter Lawford as a sailor in the bar at the beginning of the film.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 2nd of 3 appearances (as Sally Musgrave) <br />Harold De Becker, 2nd of 4 (Pub Proprietor) <br />Gerald Hamer, 2nd of 5 (Major Langford) <br />Olaf Hytten, 2nd of 6 (Capt. MacIntosh) <br />Gavin Muir, 3rd of 4 (Phillip Musgrave) <br />Frederick Worlock, 2nd of 6 (Geoffrey Musgrave)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes Faces Death (1943)','','inherit','closed','closed','','365-revision-v1','','','2019-07-30 21:14:19','2019-07-30 21:14:19','',365,'http://itcamefrombeyondpulp.com/uncategorized/365-revision-v1/',0,'revision','',0),(368,1,'2019-07-30 21:16:02','2019-07-30 21:16:02','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" 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link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes Faces Death</em> (Roy William Neill, 1943, 68 min.)</strong></h3>\n<p>If you see the title of this film and think, \"What\'s new?\" you\'re both right and wrong. Sure, the brilliant Holmes (Basil Rathbone) faces death in every adventure, especially in the modernized series of Universal films where he faces off against Nazis and spies. But there is a newness to this installment—even though that newness is a return to an older mode, so perhaps I\'ve just talked myself into a corner. Although this film, like the three before it, places Holmes and his trusty friend Watson (Nigel Bruce) in Word War II–era England, for the first time since Universal took over the series they\'re up against good, old-fashioned murderers. Sir Arthur Conan Doyle would have been pleased.</p>\n<p>This film, which is actually based on an original Holmes story by Doyle, \"The Musgrave Ritual,\" has our heroes investigating an apparently cursed family. While Watson is helping out at Musgrave Manor, which is serving as a convalescent home for shell-shocked officers, his young assistant, Dr. Sexton (Arthur Margetson), is attacked and nearly killed. Watson heads for London to bring Holmes back with him, but it\'s too late: upon their return, they find the head of the household, Geoffrey Musgrave (Frederick Worlock), dead. The lead suspect is an American airman, Vickery (Milburn Stone), who is in love with Musgrave\'s younger sister Sally (Hillary Brooke) and planned to marry her against Geoffrey\'s wishes. The always-befuddled Inspector Lestrade (Dennis Hoey) quickly arrests him, but Holmes isn\'t convinced.</p>\n<p>Suspects abound: there\'s the angry, drunken, eavesdropping manservant Brunton (Halliwell Hobbes); his secret wife Mrs. Howells (Minna Phillips); Musgrave\'s cocky younger brother Phillip (Gavin Muir); and several of the convalescing soldiers, all of whom act suspiciously. The great fun in this film is watching as all of the red herrings develop, and attempting to read Rathbone\'s face for clues as to whom he believes and whom he suspects. Watson manages to be something more than comic relief, although he does provide plenty of that. More annoying is Lestrade, who is a long way from London and who is present only to act like an idiot.</p>\n<p>There are welcome elements of the supernatural that were missing from the first three Universal outings: a clock that strikes thirteen just before someone dies, an ancient family ritual that speaks of murder, a raven that can say the word \"blood,\" and a catacomb of hidden passages through the ancient house. The only real problem with the film is that it takes a while to get going; almost the first half-hour is spent shoveling in backstory and introducing the bevy of characters. Once the fireworks start, though, it\'s nonstop action and suspense, with a particularly ingenious ending that pits Holmes against the killer\'s ego.</p>\n<p>Rathbone and Bruce are great, as always. Director Roy William Neill, helming his third of eleven Holmes films, flounders a bit at first, but when he\'s on, he\'s a master of efficient action and suspense. Screenwriter Bertram Millhauser, writing his second of four films in the series, likely can\'t be blamed for the awkward and chatty first half of the film, since he provided the backstory in as efficient a manner as possible. Watch for future Rat Pack member Peter Lawford as a sailor in the bar at the beginning of the film.</p>\n<p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p>\n<p>Hillary Brooke, 2nd of 3 appearances (as Sally Musgrave) <br />Harold De Becker, 2nd of 4 (Pub Proprietor) <br />Gerald Hamer, 2nd of 5 (Major Langford) <br />Olaf Hytten, 2nd of 6 (Capt. MacIntosh) <br />Gavin Muir, 3rd of 4 (Phillip Musgrave) <br />Frederick Worlock, 2nd of 6 (Geoffrey Musgrave)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes Faces Death (1943)','','inherit','closed','closed','','365-autosave-v1','','','2019-07-30 21:16:02','2019-07-30 21:16:02','',365,'http://itcamefrombeyondpulp.com/uncategorized/365-autosave-v1/',0,'revision','',0),(369,1,'2019-07-30 21:20:44','2019-07-30 21:20:44','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" 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header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes in Washington</em> (Roy William Neill, 1943, 71 min.)</strong></h3><p>Once you get over the studied weirdness of seeing Holmes and Watson running around in modern dress, riding in cars, and dealing with World War II issues, these films settle down into an enjoyable, if never groundbreaking, series of entertainments. Sometimes repetition in film can be annoying, and sometimes it can be comforting. I\'m sure by the end of this fourteen-film series, hearing Holmes say \"It\'s elementary, my dear Watson\" or \"Watson is the very soul of discretion\" might get tiring, as might hearing Watson say \"It\'s clear as mud to me.\" But at this point, after seeing only three of the films, it\'s still charming, like a comfortable pair of well-worn slippers.</p><p>This film is a marked improvement over the first Universal, modernized film, <em>Sherlock Holmes and the Voice of Terror</em>. This is the fifth film in the series, and the third since the transplant to the 20th century. It again features the timeless duo of Basil Rathbone as Holmes and Nigel Bruce as his dedicated, if ever-more-daft, assistant Watson. It\'s a fun movie, with a clever premise and the usual dependable performances by Rathbone and Bruce, and it works because it feels more decidedly like one of Arthur Conan Doyle\'s short stories: it\'s focused, and it all ties up rather neatly.</p><p>War is afoot, and the British government must get a secret document to the Americans. The bad guys know that someone on a British military flight to the United States is carrying the document, but they don\'t know who. Among the suspects are Sir Henry (Gilbert Emery) and John Grayson (Gerald Hamer). When the flight lands in New York, the passengers enter a train car bound for Washington, and the bad guys have them trapped, if only they can figure out who has the document. They decide it must be Grayson after a Holmes-worthy bout of deductive reasoning, and they arrange a daring kidnapping. But Grayson got rid of the document somehow, and the bad guys must track it down. Possible recipients include the bellicose Senator Babcock (Thurston Hall), mouse woman Mrs. Pringle (Margaret Seddon), and the beautiful young Nancy Partridge (Marjorie Lord).</p><p>When Grayson turns up missing, the British Home Office calls on Holmes (and, of course, Watson). Tickled at the prospect of going to the States, Watson amusingly embarks on a quest to learn local customs, leading to some funny scenes where he attempts to use American slang—scenes that reminded me, with good reason, of <em>Star Trek IV: The Voyage Home</em>. Holmes isn\'t as interested in the setting, of course: he wants to know everything there is to know about Grayson, who turns out to have been a secret agent named Pettibone. He discovers that Pettibone made microfilms of the documents and hid them in a matchbook. The pair set off on a bomber to America, hoping to find that matchbook before the bad guys figure out how and where the documents were hidden.</p><p>Meanwhile, the bad guys, led by criminal mastermind George Stanley (George Zucco), a former German agent, have been robbing and ransacking the homes of the people who were on that train car. I was a little disappointed to learn that Zucco, who played Moriarty in <em>The Adventures of Sherlock Holmes</em>, played a different character here. I\'d have loved to see the two face off in modern times (something that happened the year before in <i>The Secret Weapon</i>, which I haven\'t seen yet). However, I have to admit that Zucco makes a better American criminal in disguise as an antiques dealer than he did as Holmes\'s arch-nemesis. After Stanley\'s thugs kidnap Nancy Partridge—who, unknown to her, has the matchbook, which Grayson dropped in her purse before being kidnapped—Holmes must use his super-deduction to track the gang down and save both Partridge and the microfilm.</p><p>There are signs that the filmmakers were starting to realize that the iconic scenes in which Holmes deduces the entire history of a subject or item from a cursory glance with a magnifying glass were becoming a little silly, and they wisely played up the one here. After complimenting the American investigators on their high-tech methods, he uses his trusty glass to examine a blanket and figures out the entire mystery. The highlight of the film is a dazzling dinner party where the diners trade off the pack of matches as the camera struggles to keep up. It goes from good guy to bad guy and back, even resting for a moment in the hands of the man who was intended to receive it, until it ends up back in Partridge\'s purse just before she\'s kidnapped. It was an almost Hitchcockian display of cinematic virtuosity, and director Roy William Neill (who directed eleven films in the series before dying immediately after the last one was released) keeps up the tension as the matchbook winds up in Stanley\'s possession without his knowledge of its contents. Lynn Riggs, who wrote the deficient <i>Voice of Terror</i>, and Bertram Millhauser, who would go on to write three more Holmes films, keep things moving with deftly paced scenes and snappy dialog. There\'s not a wasted moment in the film, from the nail-biter of an opening to the satisfying closing battle of brains between Holmes and Stanley. Any guesses who wins?</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>John Burton, 2nd of 4 appearances (as Army Inspector) <br />Henry Daniell, 2nd of 3 (William Easter) <br />Leslie Denison, 3rd of 6 (Transport Pilot) <br />Mary Forbes, 2nd of 3 (Mother Pettibone) <br />Gerald Hamer, 1st of 5 (Alfred Pettibone, alias John Grayson) <br />Holmes Herbert, 3rd of 6 (Mr. Ahrens) <br />Leyland Hodgson, 3rd of 7 (Airport Official) <br />Gavin Muir, 2nd of 4 (Mr. Lang, government agent) <br />Frederick Worlock, 1st of 6 (Radio announcer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes in Washington (1943)','','publish','closed','closed','','sherlock-holmes-in-washington-1943','','','2019-07-30 21:20:44','2019-07-30 21:20:44','',0,'http://itcamefrombeyondpulp.com/?p=369',0,'post','',0),(370,1,'2019-07-30 21:20:22','2019-07-30 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link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes in Washington</em> (Roy William Neill, 1943, 71 min.)</strong></h3><p>Once you get over the studied weirdness of seeing Holmes and Watson running around in modern dress, riding in cars, and dealing with World War II issues, these films settle down into an enjoyable, if never groundbreaking, series of entertainments. Sometimes repetition in film can be annoying, and sometimes it can be comforting. I\'m sure by the end of this fourteen-film series, hearing Holmes say \"It\'s elementary, my dear Watson\" or \"Watson is the very soul of discretion\" might get tiring, as might hearing Watson say \"It\'s clear as mud to me.\" But at this point, after seeing only three of the films, it\'s still charming, like a comfortable pair of well-worn slippers.</p><p>This film is a marked improvement over the first Universal, modernized film, <em>Sherlock Holmes and the Voice of Terror</em>. This is the fifth film in the series, and the third since the transplant to the 20th century. It again features the timeless duo of Basil Rathbone as Holmes and Nigel Bruce as his dedicated, if ever-more-daft, assistant Watson. It\'s a fun movie, with a clever premise and the usual dependable performances by Rathbone and Bruce, and it works because it feels more decidedly like one of Arthur Conan Doyle\'s short stories: it\'s focused, and it all ties up rather neatly.</p><p>War is afoot, and the British government must get a secret document to the Americans. The bad guys know that someone on a British military flight to the United States is carrying the document, but they don\'t know who. Among the suspects are Sir Henry (Gilbert Emery) and John Grayson (Gerald Hamer). When the flight lands in New York, the passengers enter a train car bound for Washington, and the bad guys have them trapped, if only they can figure out who has the document. They decide it must be Grayson after a Holmes-worthy bout of deductive reasoning, and they arrange a daring kidnapping. But Grayson got rid of the document somehow, and the bad guys must track it down. Possible recipients include the bellicose Senator Babcock (Thurston Hall), mouse woman Mrs. Pringle (Margaret Seddon), and the beautiful young Nancy Partridge (Marjorie Lord).</p><p>When Grayson turns up missing, the British Home Office calls on Holmes (and, of course, Watson). Tickled at the prospect of going to the States, Watson amusingly embarks on a quest to learn local customs, leading to some funny scenes where he attempts to use American slang—scenes that reminded me, with good reason, of <em>Star Trek IV: The Voyage Home</em>. Holmes isn\'t as interested in the setting, of course: he wants to know everything there is to know about Grayson, who turns out to have been a secret agent named Pettibone. He discovers that Pettibone made microfilms of the documents and hid them in a matchbook. The pair set off on a bomber to America, hoping to find that matchbook before the bad guys figure out how and where the documents were hidden.</p><p>Meanwhile, the bad guys, led by criminal mastermind George Stanley (George Zucco), a former German agent, have been robbing and ransacking the homes of the people who were on that train car. I was a little disappointed to learn that Zucco, who played Moriarty in <em>The Adventures of Sherlock Holmes</em>, played a different character here. I\'d have loved to see the two face off in modern times (something that happened the year before in <i>The Secret Weapon</i>, which I haven\'t seen yet). However, I have to admit that Zucco makes a better American criminal in disguise as an antiques dealer than he did as Holmes\'s arch-nemesis. After Stanley\'s thugs kidnap Nancy Partridge—who, unknown to her, has the matchbook, which Grayson dropped in her purse before being kidnapped—Holmes must use his super-deduction to track the gang down and save both Partridge and the microfilm.</p><p>There are signs that the filmmakers were starting to realize that the iconic scenes in which Holmes deduces the entire history of a subject or item from a cursory glance with a magnifying glass were becoming a little silly, and they wisely played up the one here. After complimenting the American investigators on their high-tech methods, he uses his trusty glass to examine a blanket and figures out the entire mystery. The highlight of the film is a dazzling dinner party where the diners trade off the pack of matches as the camera struggles to keep up. It goes from good guy to bad guy and back, even resting for a moment in the hands of the man who was intended to receive it, until it ends up back in Partridge\'s purse just before she\'s kidnapped. It was an almost Hitchcockian display of cinematic virtuosity, and director Roy William Neill (who directed eleven films in the series before dying immediately after the last one was released) keeps up the tension as the matchbook winds up in Stanley\'s possession without his knowledge of its contents. Lynn Riggs, who wrote the deficient <i>Voice of Terror</i>, and Bertram Millhauser, who would go on to write three more Holmes films, keep things moving with deftly paced scenes and snappy dialog. There\'s not a wasted moment in the film, from the nail-biter of an opening to the satisfying closing battle of brains between Holmes and Stanley. Any guesses who wins?</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>John Burton, 2nd of 4 appearances (as Army Inspector) <br />Henry Daniell, 2nd of 3 (William Easter) <br />Leslie Denison, 3rd of 6 (Transport Pilot) <br />Mary Forbes, 2nd of 3 (Mother Pettibone) <br />Gerald Hamer, 1st of 5 (Alfred Pettibone, alias John Grayson) <br />Holmes Herbert, 3rd of 6 (Mr. Ahrens) <br />Leyland Hodgson, 3rd of 7 (Airport Official) <br />Gavin Muir, 2nd of 4 (Mr. Lang, government agent) <br />Frederick Worlock, 1st of 6 (Radio announcer)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes in Washington (1943)','','inherit','closed','closed','','369-revision-v1','','','2019-07-30 21:20:44','2019-07-30 21:20:44','',369,'http://itcamefrombeyondpulp.com/uncategorized/369-revision-v1/',0,'revision','',0),(372,1,'2019-07-30 21:21:45','2019-07-30 21:21:45','[et_pb_section bb_built=\"1\" 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header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>Sherlock Holmes in Washington</em> (Roy William Neill, 1943, 71 min.)</strong></h3>\n<p>Once you get over the studied weirdness of seeing Holmes and Watson running around in modern dress, riding in cars, and dealing with World War II issues, these films settle down into an enjoyable, if never groundbreaking, series of entertainments. Sometimes repetition in film can be annoying, and sometimes it can be comforting. I\'m sure by the end of this fourteen-film series, hearing Holmes say \"It\'s elementary, my dear Watson\" or \"Watson is the very soul of discretion\" might get tiring, as might hearing Watson say \"It\'s clear as mud to me.\" But at this point, after seeing only three of the films, it\'s still charming, like a comfortable pair of well-worn slippers.</p>\n<p>This film is a marked improvement over the first Universal, modernized film, <em>Sherlock Holmes and the Voice of Terror</em>. This is the fifth film in the series, and the third since the transplant to the 20th century. It again features the timeless duo of Basil Rathbone as Holmes and Nigel Bruce as his dedicated, if ever-more-daft, assistant Watson. It\'s a fun movie, with a clever premise and the usual dependable performances by Rathbone and Bruce, and it works because it feels more decidedly like one of Arthur Conan Doyle\'s short stories: it\'s focused, and it all ties up rather neatly.</p>\n<p>War is afoot, and the British government must get a secret document to the Americans. The bad guys know that someone on a British military flight to the United States is carrying the document, but they don\'t know who. Among the suspects are Sir Henry (Gilbert Emery) and John Grayson (Gerald Hamer). When the flight lands in New York, the passengers enter a train car bound for Washington, and the bad guys have them trapped, if only they can figure out who has the document. They decide it must be Grayson after a Holmes-worthy bout of deductive reasoning, and they arrange a daring kidnapping. But Grayson got rid of the document somehow, and the bad guys must track it down. Possible recipients include the bellicose Senator Babcock (Thurston Hall), mouse woman Mrs. Pringle (Margaret Seddon), and the beautiful young Nancy Partridge (Marjorie Lord).</p>\n<p>When Grayson turns up missing, the British Home Office calls on Holmes (and, of course, Watson). Tickled at the prospect of going to the States, Watson amusingly embarks on a quest to learn local customs, leading to some funny scenes where he attempts to use American slang—scenes that reminded me, with good reason, of <em>Star Trek IV: The Voyage Home</em>. Holmes isn\'t as interested in the setting, of course: he wants to know everything there is to know about Grayson, who turns out to have been a secret agent named Pettibone. He discovers that Pettibone made microfilms of the documents and hid them in a matchbook. The pair set off on a bomber to America, hoping to find that matchbook before the bad guys figure out how and where the documents were hidden.</p>\n<p>Meanwhile, the bad guys, led by criminal mastermind George Stanley (George Zucco), a former German agent, have been robbing and ransacking the homes of the people who were on that train car. I was a little disappointed to learn that Zucco, who played Moriarty in <em>The Adventures of Sherlock Holmes</em>, played a different character here. I\'d have loved to see the two face off in modern times (something that happened the year before in <i>The Secret Weapon</i>, which I haven\'t seen yet). However, I have to admit that Zucco makes a better American criminal in disguise as an antiques dealer than he did as Holmes\'s arch-nemesis. After Stanley\'s thugs kidnap Nancy Partridge—who, unknown to her, has the matchbook, which Grayson dropped in her purse before being kidnapped—Holmes must use his super-deduction to track the gang down and save both Partridge and the microfilm.</p>\n<p>There are signs that the filmmakers were starting to realize that the iconic scenes in which Holmes deduces the entire history of a subject or item from a cursory glance with a magnifying glass were becoming a little silly, and they wisely played up the one here. After complimenting the American investigators on their high-tech methods, he uses his trusty glass to examine a blanket and figures out the entire mystery. The highlight of the film is a dazzling dinner party where the diners trade off the pack of matches as the camera struggles to keep up. It goes from good guy to bad guy and back, even resting for a moment in the hands of the man who was intended to receive it, until it ends up back in Partridge\'s purse just before she\'s kidnapped. It was an almost Hitchcockian display of cinematic virtuosity, and director Roy William Neill (who directed eleven films in the series before dying immediately after the last one was released) keeps up the tension as the matchbook winds up in Stanley\'s possession without his knowledge of its contents. Lynn Riggs, who wrote the deficient <i>Voice of Terror</i>, and Bertram Millhauser, who would go on to write three more Holmes films, keep things moving with deftly paced scenes and snappy dialog. There\'s not a wasted moment in the film, from the nail-biter of an opening to the satisfying closing battle of brains between Holmes and Stanley. Any guesses who wins?</p>\n<p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p>\n<p>John Burton, 2nd of 4 appearances (as Army Inspector) <br />Henry Daniell, 2nd of 3 (William Easter) <br />Leslie Denison, 3rd of 6 (Transport Pilot) <br />Mary Forbes, 2nd of 3 (Mother Pettibone) <br />Gerald Hamer, 1st of 5 (Alfred Pettibone, alias John Grayson) <br />Holmes Herbert, 3rd of 6 (Mr. Ahrens) <br />Leyland Hodgson, 3rd of 7 (Airport Official) <br />Gavin Muir, 2nd of 4 (Mr. Lang, government agent) <br />Frederick Worlock, 1st of 6 (Radio announcer)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Sherlock Holmes in Washington (1943)','','inherit','closed','closed','','369-autosave-v1','','','2019-07-30 21:21:45','2019-07-30 21:21:45','',369,'http://itcamefrombeyondpulp.com/uncategorized/369-autosave-v1/',0,'revision','',0),(373,1,'2019-07-30 21:26:30','2019-07-30 21:26:30','[et_pb_section bb_built=\"1\" 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header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Spider Woman</em> (Roy William Neill, 1944, 63 min.)</strong></h3><p>In this highly enjoyable seventh entry in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films, everyone\'s favorite detective faces his most challenging foe, and it\'s not Moriarty. London is being plagued by a rash of suicides of wealthy men; only the fact that they\'re all the same—the men throw themselves out of their windows—convinces Holmes that there\'s a murderer behind it. But he\'s done with all that: we join him on a fishing trip in Scotland, where he and Watson are attempting to get some relaxation in. Holmes confesses to dizzy spells and tells his faithful friend, \"I\'m sorry, Watson. The pleasures of the chase are no longer for me. I\'m through with crime forever.\" With that, he faints and tumbles to his death. Watson doesn\'t find his body, but his cap is floating in the river.</p><p>Which is decidedly odd to people who have read the original Sir Arthur Conan Doyle stories. This is the ending of \"The Final Problem,\" in which Doyle attempted to kill of his most famous creation, except for one decided difference: in the story, Moriarty tumbled off into the gorge with him. After I got over my confusion, I began to think that this is one of the most clever reimaginings of Doyle\'s stories to make it into this series of films. There\'s something roguish in Bertram Millhauser\'s reworking of the most dramatic moment in the entire Holmes canon; Millhauser wrote five of the films, and his efforts just happen to include the best of the modernized ones, including <em>Sherlock Holmes in Washington</em>, <em>The Woman in Green</em>, and this one. This film also borrows elements from \"The Sign of Four,\" which was the second Holmes story Doyle wrote.</p><p>Holmes returns from \"death\" soon enough, but he wants Watson to keep it a secret so that he can work on the mystery unnoticed. He quickly discovers the connection between the victims: they all lost large amounts of money gambling. Holmes enters the casino in one of the most tasteless and silly disguises that Rathbone was ever asked to wear: a wealthy Indian man, complete with dark shading in his skin, a pointy little beard, and a turban. It\'s no surprise that the woman behind the murders, Adrea Spedding (Gale Sondergaard), sees right through his disguise. This film features the best verbal parrying between Holmes and a nemesis: Spedding comes to visit Holmes after her minions fail to murder him, and the two have a conversation that is decidedly <i>not</i> about the fact that they\'re mortal enemies.</p><p>The villains in these films are a mixed bag. Although I love Moriarty from the stories, the various incarnations of Moriarty in the films tend to be disappointing, aside from Henry Daniell in <em>The Woman in Green</em>. Other films in the series have downright silly villains. Because of this, Gale Sondergaard is a delight to watch. She\'s one of the few bad guys who has seemed to be Holmes\'s match. In addition to being the deadliest opponent Holmes faced in any of the films, she\'s beautiful and cocky, with her perpetually arched eyebrows seeming to mock him. It\'s almost sad when she resorts to proto-James Bond theatrics in her final attempt to do away with him.</p><p>This is one of the best films in the series, ranked somewhere close behind <em>The Adventures of Sherlock Holmes</em>. Aside from Rathbone\'s bad makeup and a slightly disappointing ending, there are few flaws. Even the obligatory scene where poor Nigel Bruce has to act like a dunce was pretty funny—he mistakes a bearded Arthur Hohl for a disguised Holmes, and both actors play the scene well. It\'s also one of the most genuinely creepy films in the series, what with all the spiders. I don\'t like spiders.</p><p><b>Baker Street Regulars (actors who appeared in more than two films in the series as different characters):</b></p><p>Wilson Benge, 1st of 5 appearances (as unspecified clerk)<br />John Burton, 2nd of 4 (as announcer)<br />Harry Cording, 4th of 8 (as henchman on roof)<br />Arthur Hohl, 3rd of 3 (as Adam Gilflower)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Spider Woman (1944)','','publish','closed','closed','','the-spider-woman-1944','','','2019-07-30 21:26:30','2019-07-30 21:26:30','',0,'http://itcamefrombeyondpulp.com/?p=373',0,'post','',0),(374,1,'2019-07-30 21:25:35','2019-07-30 21:25:35','','spider woman','','inherit','closed','closed','','spider-woman','','','2019-07-30 21:25:35','2019-07-30 21:25:35','',373,'http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/spider-woman.jpg',0,'attachment','image/jpeg',0),(375,1,'2019-07-30 21:26:30','2019-07-30 21:26:30','[et_pb_section bb_built=\"1\" 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header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Spider Woman</em> (Roy William Neill, 1944, 63 min.)</strong></h3><p>In this highly enjoyable seventh entry in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films, everyone\'s favorite detective faces his most challenging foe, and it\'s not Moriarty. London is being plagued by a rash of suicides of wealthy men; only the fact that they\'re all the same—the men throw themselves out of their windows—convinces Holmes that there\'s a murderer behind it. But he\'s done with all that: we join him on a fishing trip in Scotland, where he and Watson are attempting to get some relaxation in. Holmes confesses to dizzy spells and tells his faithful friend, \"I\'m sorry, Watson. The pleasures of the chase are no longer for me. I\'m through with crime forever.\" With that, he faints and tumbles to his death. Watson doesn\'t find his body, but his cap is floating in the river.</p><p>Which is decidedly odd to people who have read the original Sir Arthur Conan Doyle stories. This is the ending of \"The Final Problem,\" in which Doyle attempted to kill of his most famous creation, except for one decided difference: in the story, Moriarty tumbled off into the gorge with him. After I got over my confusion, I began to think that this is one of the most clever reimaginings of Doyle\'s stories to make it into this series of films. There\'s something roguish in Bertram Millhauser\'s reworking of the most dramatic moment in the entire Holmes canon; Millhauser wrote five of the films, and his efforts just happen to include the best of the modernized ones, including <em>Sherlock Holmes in Washington</em>, <em>The Woman in Green</em>, and this one. This film also borrows elements from \"The Sign of Four,\" which was the second Holmes story Doyle wrote.</p><p>Holmes returns from \"death\" soon enough, but he wants Watson to keep it a secret so that he can work on the mystery unnoticed. He quickly discovers the connection between the victims: they all lost large amounts of money gambling. Holmes enters the casino in one of the most tasteless and silly disguises that Rathbone was ever asked to wear: a wealthy Indian man, complete with dark shading in his skin, a pointy little beard, and a turban. It\'s no surprise that the woman behind the murders, Adrea Spedding (Gale Sondergaard), sees right through his disguise. This film features the best verbal parrying between Holmes and a nemesis: Spedding comes to visit Holmes after her minions fail to murder him, and the two have a conversation that is decidedly <i>not</i> about the fact that they\'re mortal enemies.</p><p>The villains in these films are a mixed bag. Although I love Moriarty from the stories, the various incarnations of Moriarty in the films tend to be disappointing, aside from Henry Daniell in <em>The Woman in Green</em>. Other films in the series have downright silly villains. Because of this, Gale Sondergaard is a delight to watch. She\'s one of the few bad guys who has seemed to be Holmes\'s match. In addition to being the deadliest opponent Holmes faced in any of the films, she\'s beautiful and cocky, with her perpetually arched eyebrows seeming to mock him. It\'s almost sad when she resorts to proto-James Bond theatrics in her final attempt to do away with him.</p><p>This is one of the best films in the series, ranked somewhere close behind <em>The Adventures of Sherlock Holmes</em>. Aside from Rathbone\'s bad makeup and a slightly disappointing ending, there are few flaws. Even the obligatory scene where poor Nigel Bruce has to act like a dunce was pretty funny—he mistakes a bearded Arthur Hohl for a disguised Holmes, and both actors play the scene well. It\'s also one of the most genuinely creepy films in the series, what with all the spiders. I don\'t like spiders.</p><p><b>Baker Street Regulars (actors who appeared in more than two films in the series as different characters):</b></p><p>Wilson Benge, 1st of 5 appearances (as unspecified clerk)<br />John Burton, 2nd of 4 (as announcer)<br />Harry Cording, 4th of 8 (as henchman on roof)<br />Arthur Hohl, 3rd of 3 (as Adam Gilflower)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Spider Woman (1944)','','inherit','closed','closed','','373-revision-v1','','','2019-07-30 21:26:30','2019-07-30 21:26:30','',373,'http://itcamefrombeyondpulp.com/uncategorized/373-revision-v1/',0,'revision','',0),(376,1,'2019-07-30 21:27:26','2019-07-30 21:27:26','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" 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header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>The Spider Woman</em> (Roy William Neill, 1944, 63 min.)</strong></h3>\n<p>In this highly enjoyable seventh entry in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes films, everyone\'s favorite detective faces his most challenging foe, and it\'s not Moriarty. London is being plagued by a rash of suicides of wealthy men; only the fact that they\'re all the same—the men throw themselves out of their windows—convinces Holmes that there\'s a murderer behind it. But he\'s done with all that: we join him on a fishing trip in Scotland, where he and Watson are attempting to get some relaxation in. Holmes confesses to dizzy spells and tells his faithful friend, \"I\'m sorry, Watson. The pleasures of the chase are no longer for me. I\'m through with crime forever.\" With that, he faints and tumbles to his death. Watson doesn\'t find his body, but his cap is floating in the river.</p>\n<p>Which is decidedly odd to people who have read the original Sir Arthur Conan Doyle stories. This is the ending of \"The Final Problem,\" in which Doyle attempted to kill of his most famous creation, except for one decided difference: in the story, Moriarty tumbled off into the gorge with him. After I got over my confusion, I began to think that this is one of the most clever reimaginings of Doyle\'s stories to make it into this series of films. There\'s something roguish in Bertram Millhauser\'s reworking of the most dramatic moment in the entire Holmes canon; Millhauser wrote five of the films, and his efforts just happen to include the best of the modernized ones, including <em>Sherlock Holmes in Washington</em>, <em>The Woman in Green</em>, and this one. This film also borrows elements from \"The Sign of Four,\" which was the second Holmes story Doyle wrote.</p>\n<p>Holmes returns from \"death\" soon enough, but he wants Watson to keep it a secret so that he can work on the mystery unnoticed. He quickly discovers the connection between the victims: they all lost large amounts of money gambling. Holmes enters the casino in one of the most tasteless and silly disguises that Rathbone was ever asked to wear: a wealthy Indian man, complete with dark shading in his skin, a pointy little beard, and a turban. It\'s no surprise that the woman behind the murders, Adrea Spedding (Gale Sondergaard), sees right through his disguise. This film features the best verbal parrying between Holmes and a nemesis: Spedding comes to visit Holmes after her minions fail to murder him, and the two have a conversation that is decidedly <i>not</i> about the fact that they\'re mortal enemies.</p>\n<p>The villains in these films are a mixed bag. Although I love Moriarty from the stories, the various incarnations of Moriarty in the films tend to be disappointing, aside from Henry Daniell in <em>The Woman in Green</em>. Other films in the series have downright silly villains. Because of this, Gale Sondergaard is a delight to watch. She\'s one of the few bad guys who has seemed to be Holmes\'s match. In addition to being the deadliest opponent Holmes faced in any of the films, she\'s beautiful and cocky, with her perpetually arched eyebrows seeming to mock him. It\'s almost sad when she resorts to proto-James Bond theatrics in her final attempt to do away with him.</p>\n<p>This is one of the best films in the series, ranked somewhere close behind <em>The Adventures of Sherlock Holmes</em>. Aside from Rathbone\'s bad makeup and a slightly disappointing ending, there are few flaws. Even the obligatory scene where poor Nigel Bruce has to act like a dunce was pretty funny—he mistakes a bearded Arthur Hohl for a disguised Holmes, and both actors play the scene well. It\'s also one of the most genuinely creepy films in the series, what with all the spiders. I don\'t like spiders.</p>\n<p><b>Baker Street Regulars (actors who appeared in more than two films in the series as different characters):</b></p>\n<p>Wilson Benge, 1st of 5 appearances (as unspecified clerk)<br />John Burton, 2nd of 4 (as announcer)<br />Harry Cording, 4th of 8 (as henchman on roof)<br />Arthur Hohl, 3rd of 3 (as Adam Gilflower)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Spider Woman (1944)','','inherit','closed','closed','','373-autosave-v1','','','2019-07-30 21:27:26','2019-07-30 21:27:26','',373,'http://itcamefrombeyondpulp.com/uncategorized/373-autosave-v1/',0,'revision','',0),(377,1,'2019-07-30 21:29:11','2019-07-30 21:29:11','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" 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box_shadow_spread_tablet=\"0px\" /][/et_pb_section][et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" background_color=\"#e02b20\" width=\"1080px\" module_alignment=\"center\" custom_padding=\"10px||0px|||\" hover_enabled=\"0\" width_last_edited=\"on|tablet\" width_phone=\"100%\" width_tablet=\"100%\" prev_background_color=\"#ffffff\"][et_pb_row custom_padding=\"10px|10px||\" _builder_version=\"3.26.3\" background_color=\"#ffffff\" border_width_bottom=\"5px\" border_color_bottom=\"#e02b20\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"][et_pb_column type=\"4_4\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\r\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Horror</h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Whatnot</h3><p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-voice-of-terror-1942/\"><strong>Sherlock Holmes and the Voice of Terror (1942)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-secret-weapon-1943/\">Sherlock Holmes and the Secret Weapon (1943)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-in-washington-1943/\">Sherlock Holmes in Washington (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-faces-death-1943/\">Sherlock Holmes Faces Death (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-scarlet-claw-1944/\">The Scarlet Claw (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-spider-woman-1944/\">The Spider Woman (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-revision-v1','','','2019-07-30 21:29:11','2019-07-30 21:29:11','',45,'http://itcamefrombeyondpulp.com/uncategorized/45-revision-v1/',0,'revision','',0),(378,1,'2019-07-30 21:40:21','2019-07-30 21:40:21','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" 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header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Terror by Night</em> (Roy William Neill, 1946, 60 min.)</strong></h3><p>The penultimate film in the popular Basil Rathbone/Nigel Bruce series of Sherlock Holmes films is a lesser entry, flawed by too much reliance on Bruce\'s Dr. Watson and Dennis Hoey\'s Lestrade for comic relief, as well as an Agatha Christie–level bevy of red herring suspects. Rathbone is good as usual, and this film is one of the first to demonstrate the seeming heartlessness of the master detective as originally conceived by Sir Arthur Conan Doyle—these things make it better than, say, the previous entry, <em>Pursuit to Algiers</em>. But it\'s obvious that the series was limping to a close.</p><p>Holmes and Watson are again playing nursemaids, but this time to a valuable diamond, the Star of Rhodesia, a stone whose history is marked by the painful deaths of those who have owned it. Now it\'s in possession of Lady Margaret Carstairs (Mary Forbes, appearing in her third film in the series), an irritable woman who insults Holmes and Watson by implying that they\'re policemen for hire. She\'s taking the train from London to Edinburgh, and her son Ronald (Geoffrey Steele) has enlisted the master detective and his increasingly bumbling sidekick to prevent the theft of the diamond.</p><p>Quickly, Ronald winds up poisoned and the diamond disappears. The traincar in which they\'re riding is full of suspects. Vivian Vedder (Renee Godfrey) is a suspicious-acting young woman transporting her dead mother\'s coffin to Edinburgh; she seems to want to keep track of Holmes. Professor Kilbane (Frederick Worlock) is an ill-tempered mathematician who refuses to cooperate with their investigation. We overhear a nervous older couple (Janet Murdoch and Gerald Hamer, the latter in his fifth Holmes film) fretting at the presence of Scotland Yard detective Lestrade (Dennis Hoey) aboard the train. And Watson\'s old friend from the army, Major Duncan-Bleek (Alan Mowbray), seems to be very interested in the case. Holmes comes to the conclusion—unsupported by any evidence, as far as I can tell—that the crime is the handiwork of the late Professor Moriarty\'s chief henchman, Colonel Sebastian Moran. He must figure out which of the passengers is Moran before they reach Edinburgh. Since all of this takes place on a train, you know going in that someone will attempt to push Holmes out of it. That\'s really the only suspense to be had in the film: when will someone try to kill Holmes? The rest of the film feels rather perfunctory.</p><p>Nigel Bruce is mistreated by the script. This is the first film in the series that uses him for more comic relief than is necessary. The scenes where he fumbles through attempted interrogations of suspects cross the line into mean-spiritedness. This is a far cry from the Watson of Doyle\'s stories. Similarly, Dennis Hoey\'s Lestrade is good for little more than laughs, although I admit that this is closer in spirit to the stories. But in this very short film—at 60 minutes, it\'s the shortest in the series—so much comic relief feels like desperate attempts to pad an already skimpy story.</p><p>The heartlessness I mentioned comes with the revelation that the diamond in Lady Carstairs\'s box is in fact a fake: Holmes had the real diamond the whole time. This means that Holmes, who knew that someone would attempt to steal it, and knew that the thief was unlikely to care about taking lives to get the diamond, put Ronald Carstairs in mortal danger for no reason other than to draw out the thief—a plan that failed, since it still took Holmes some time to figure out the guilty party. This is the Holmes of the books peeking through, the Holmes who sometimes looked at other people like bugs, who sometimes viewed a good mystery as being more interesting than keeping people out of danger.</p><p>Although the Internet Movie Database claims that this film is based on a Doyle story, I can find no evidence for this story\'s existence. Certainly Colonel Sebastian Moran existed in Doyle\'s stories, but Jack Tracy\'s <i>Encyclopedia Sherlockania</i> makes no mention of the Star of Rhodesia.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Harry Cording, 7th of 8 appearances (as Coffin Maker) <br />Mary Forbes, 3rd of 3 (Lady Margaret Carstairs) <br />Gerald Hamer, 5th of 5 (Mr. Shallcross) <br />Leyland Hogdson, 7th of 7 (Train conductor) <br />Frederick Worlock, 5th of 6 (Professor William Kilbane)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Terror by Night (1946)','','publish','closed','closed','','terror-by-night-1946','','','2019-07-30 21:40:21','2019-07-30 21:40:21','',0,'http://itcamefrombeyondpulp.com/?p=378',0,'post','',0),(379,1,'2019-07-30 21:39:34','2019-07-30 21:39:34','','terror','','inherit','closed','closed','','terror','','','2019-07-30 21:39:34','2019-07-30 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>Terror by Night</em> (Roy William Neill, 1946, 60 min.)</strong></h3><p>The penultimate film in the popular Basil Rathbone/Nigel Bruce series of Sherlock Holmes films is a lesser entry, flawed by too much reliance on Bruce\'s Dr. Watson and Dennis Hoey\'s Lestrade for comic relief, as well as an Agatha Christie–level bevy of red herring suspects. Rathbone is good as usual, and this film is one of the first to demonstrate the seeming heartlessness of the master detective as originally conceived by Sir Arthur Conan Doyle—these things make it better than, say, the previous entry, <em>Pursuit to Algiers</em>. But it\'s obvious that the series was limping to a close.</p><p>Holmes and Watson are again playing nursemaids, but this time to a valuable diamond, the Star of Rhodesia, a stone whose history is marked by the painful deaths of those who have owned it. Now it\'s in possession of Lady Margaret Carstairs (Mary Forbes, appearing in her third film in the series), an irritable woman who insults Holmes and Watson by implying that they\'re policemen for hire. She\'s taking the train from London to Edinburgh, and her son Ronald (Geoffrey Steele) has enlisted the master detective and his increasingly bumbling sidekick to prevent the theft of the diamond.</p><p>Quickly, Ronald winds up poisoned and the diamond disappears. The traincar in which they\'re riding is full of suspects. Vivian Vedder (Renee Godfrey) is a suspicious-acting young woman transporting her dead mother\'s coffin to Edinburgh; she seems to want to keep track of Holmes. Professor Kilbane (Frederick Worlock) is an ill-tempered mathematician who refuses to cooperate with their investigation. We overhear a nervous older couple (Janet Murdoch and Gerald Hamer, the latter in his fifth Holmes film) fretting at the presence of Scotland Yard detective Lestrade (Dennis Hoey) aboard the train. And Watson\'s old friend from the army, Major Duncan-Bleek (Alan Mowbray), seems to be very interested in the case. Holmes comes to the conclusion—unsupported by any evidence, as far as I can tell—that the crime is the handiwork of the late Professor Moriarty\'s chief henchman, Colonel Sebastian Moran. He must figure out which of the passengers is Moran before they reach Edinburgh. Since all of this takes place on a train, you know going in that someone will attempt to push Holmes out of it. That\'s really the only suspense to be had in the film: when will someone try to kill Holmes? The rest of the film feels rather perfunctory.</p><p>Nigel Bruce is mistreated by the script. This is the first film in the series that uses him for more comic relief than is necessary. The scenes where he fumbles through attempted interrogations of suspects cross the line into mean-spiritedness. This is a far cry from the Watson of Doyle\'s stories. Similarly, Dennis Hoey\'s Lestrade is good for little more than laughs, although I admit that this is closer in spirit to the stories. But in this very short film—at 60 minutes, it\'s the shortest in the series—so much comic relief feels like desperate attempts to pad an already skimpy story.</p><p>The heartlessness I mentioned comes with the revelation that the diamond in Lady Carstairs\'s box is in fact a fake: Holmes had the real diamond the whole time. This means that Holmes, who knew that someone would attempt to steal it, and knew that the thief was unlikely to care about taking lives to get the diamond, put Ronald Carstairs in mortal danger for no reason other than to draw out the thief—a plan that failed, since it still took Holmes some time to figure out the guilty party. This is the Holmes of the books peeking through, the Holmes who sometimes looked at other people like bugs, who sometimes viewed a good mystery as being more interesting than keeping people out of danger.</p><p>Although the Internet Movie Database claims that this film is based on a Doyle story, I can find no evidence for this story\'s existence. Certainly Colonel Sebastian Moran existed in Doyle\'s stories, but Jack Tracy\'s <i>Encyclopedia Sherlockania</i> makes no mention of the Star of Rhodesia.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Harry Cording, 7th of 8 appearances (as Coffin Maker) <br />Mary Forbes, 3rd of 3 (Lady Margaret Carstairs) <br />Gerald Hamer, 5th of 5 (Mr. Shallcross) <br />Leyland Hogdson, 7th of 7 (Train conductor) <br />Frederick Worlock, 5th of 6 (Professor William Kilbane)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Terror by Night (1946)','','inherit','closed','closed','','378-revision-v1','','','2019-07-30 21:40:21','2019-07-30 21:40:21','',378,'http://itcamefrombeyondpulp.com/uncategorized/378-revision-v1/',0,'revision','',0),(381,1,'2019-07-30 21:43:04','2019-07-30 21:43:04','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" 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ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>Terror by Night</em> (Roy William Neill, 1946, 60 min.)</strong></h3>\n<p>The penultimate film in the popular Basil Rathbone/Nigel Bruce series of Sherlock Holmes films is a lesser entry, flawed by too much reliance on Bruce\'s Dr. Watson and Dennis Hoey\'s Lestrade for comic relief, as well as an Agatha Christie–level bevy of red herring suspects. Rathbone is good as usual, and this film is one of the first to demonstrate the seeming heartlessness of the master detective as originally conceived by Sir Arthur Conan Doyle—these things make it better than, say, the previous entry, <em>Pursuit to Algiers</em>. But it\'s obvious that the series was limping to a close.</p>\n<p>Holmes and Watson are again playing nursemaids, but this time to a valuable diamond, the Star of Rhodesia, a stone whose history is marked by the painful deaths of those who have owned it. Now it\'s in possession of Lady Margaret Carstairs (Mary Forbes, appearing in her third film in the series), an irritable woman who insults Holmes and Watson by implying that they\'re policemen for hire. She\'s taking the train from London to Edinburgh, and her son Ronald (Geoffrey Steele) has enlisted the master detective and his increasingly bumbling sidekick to prevent the theft of the diamond.</p>\n<p>Quickly, Ronald winds up poisoned and the diamond disappears. The traincar in which they\'re riding is full of suspects. Vivian Vedder (Renee Godfrey) is a suspicious-acting young woman transporting her dead mother\'s coffin to Edinburgh; she seems to want to keep track of Holmes. Professor Kilbane (Frederick Worlock) is an ill-tempered mathematician who refuses to cooperate with their investigation. We overhear a nervous older couple (Janet Murdoch and Gerald Hamer, the latter in his fifth Holmes film) fretting at the presence of Scotland Yard detective Lestrade (Dennis Hoey) aboard the train. And Watson\'s old friend from the army, Major Duncan-Bleek (Alan Mowbray), seems to be very interested in the case. Holmes comes to the conclusion—unsupported by any evidence, as far as I can tell—that the crime is the handiwork of the late Professor Moriarty\'s chief henchman, Colonel Sebastian Moran. He must figure out which of the passengers is Moran before they reach Edinburgh. Since all of this takes place on a train, you know going in that someone will attempt to push Holmes out of it. That\'s really the only suspense to be had in the film: when will someone try to kill Holmes? The rest of the film feels rather perfunctory.</p>\n<p>Nigel Bruce is mistreated by the script. This is the first film in the series that uses him for more comic relief than is necessary. The scenes where he fumbles through attempted interrogations of suspects cross the line into mean-spiritedness. This is a far cry from the Watson of Doyle\'s stories. Similarly, Dennis Hoey\'s Lestrade is good for little more than laughs, although I admit that this is closer in spirit to the stories. But in this very short film—at 60 minutes, it\'s the shortest in the series—so much comic relief feels like desperate attempts to pad an already skimpy story.</p>\n<p>The heartlessness I mentioned comes with the revelation that the diamond in Lady Carstairs\'s box is in fact a fake: Holmes had the real diamond the whole time. This means that Holmes, who knew that someone would attempt to steal it, and knew that the thief was unlikely to care about taking lives to get the diamond, put Ronald Carstairs in mortal danger for no reason other than to draw out the thief—a plan that failed, since it still took Holmes some time to figure out the guilty party. This is the Holmes of the books peeking through, the Holmes who sometimes looked at other people like bugs, who sometimes viewed a good mystery as being more interesting than keeping people out of danger.</p>\n<p>Although the Internet Movie Database claims that this film is based on a Doyle story, I can find no evidence for this story\'s existence. Certainly Colonel Sebastian Moran existed in Doyle\'s stories, but Jack Tracy\'s <i>Encyclopedia Sherlockania</i> makes no mention of the Star of Rhodesia.</p>\n<p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p>\n<p>Harry Cording, 7th of 8 appearances (as Coffin Maker) <br />Mary Forbes, 3rd of 3 (Lady Margaret Carstairs) <br />Gerald Hamer, 5th of 5 (Mr. Shallcross) <br />Leyland Hogdson, 7th of 7 (Train conductor) <br />Frederick Worlock, 5th of 6 (Professor William Kilbane)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Terror by Night (1946)','','inherit','closed','closed','','378-autosave-v1','','','2019-07-30 21:43:04','2019-07-30 21:43:04','',378,'http://itcamefrombeyondpulp.com/uncategorized/378-autosave-v1/',0,'revision','',0),(382,1,'2019-07-30 21:47:25','2019-07-30 21:47:25','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" 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header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Woman in Green</em> (Roy William Neill, 1945, 65 min.)</strong></h3><p>This late entry in the Universal Holmes/Watson series is a welcome surprise. It\'s one of the best in the series, partly because it strays from formula and partly because it summons some genuine mystery. It spends a little too much time providing comic relief at the expense of Watson, but it has a great villain, an elaborate plot, and a hair-raising finale. It\'s very loosely based on a story by Sir Arthur Conan Doyle, \"The Adventure of the Empty House,\" but it has little to do with the story aside from the return of Moriarty and clever trick Holmes uses to draw out a bad guy.</p><p>This time around, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) take on an old-fashioned murder mystery. There have been four gruesome murders in London, and the only thing connecting them is the fact that the killer has removed a finger from the victim each time. Scotland Yard is mystified, and the lead investigator, Gregson (Matthew Boulton), calls on Holmes. Holmes quickly suspects Moriarty, who was supposed to have been hanged in Uruguay, but he has to find out how the murders are connected first. This film is notable because it features a narrator, and an unlikely one at that. Gregson, the Scotland Yard inspector, tells us in an opening voiceover about the murders and how he was forced to ask Holmes for help.</p><p>In a parallel storyline, a beautiful young woman named Lydia (Hillary Brooke) has drinks with Sir George (Paul Cavanagh) and invites him back to her apartment. The film skirts the edge of Code-approved banter, as it is clear what she\'s offering and what he\'s accepting. During a very creepy scene, she hypnotizes him, and he wakes up in a flophouse in a bad part of town. He discovers something in his pocket that makes him flee in terror; from the street, newspaper hawkers trumpet another murder. He flees to Lydia\'s house, where he runs into a sad-looking man with a slow drawl, who knows where Sir George woke up and what he found in his pocket. Sir George doesn\'t know it yet, but he\'s dealing with Moriarty (Henry Daniell). Holmes must get to the bottom of the mystery of the woman in green (although you can\'t tell she\'s wearing green, since the film is black and white) and put an end to what turns out to be an elaborate blackmail plot.</p><p>Daniell, appearing in his fourth film in the series as his fourth different character, is the best Moriarty of the lot. He comes across as bored but mildly amused at the proceedings; he seems distracted and above everything, which is a perfect way to play the criminal mastermind. The scenes he shares with Holmes are among the best in the entire series; their oddly pleasant conversation about how fitting it would be to die together is a masterpiece of understatement and a showcase for the great acting that elevates this series of films.</p><p>These films are a pleasure to watch. Even the bad ones are fun, sort of like bad episodes in an otherwise good television show. Since the films are all less than 70 minutes long, the comparison to good television isn\'t far off. This was the last film written by Bertram Millhauser, who wrote five in the series, and the falloff in quality is apparent in the next entry, <em>Pursuit to Algiers</em>.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 3rd of 3 appearances (as Lydia Marlowe) <br />John Burton, 4th of 4 (Waring) <br />Paul Cavanaugh, 3rd of 3 (Sir George Fenwick) <br />Henry Daniell, 3rd of 3 (Professor Moriarty) <br />Harold De Becker, 4th of 4 (Shoelace seller) <br />Leslie Denison, 6th of 6 (Vincent) <br />Olaf Hytten, 4th of 6 (Norris, Fenwick\'s butler) <br />Boyd Irwin, 2nd of 3 (Short-tempered officer closing window) <br />Arthur Stenning, 3rd of 3 (Mesmer Club servant) <br />Frederick Worlock, 4th of 6 (Dr. Onslow)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Woman in Green (1945)','','publish','closed','closed','','the-woman-in-green-1945','','','2019-07-30 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link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em>The Woman in Green</em> (Roy William Neill, 1945, 65 min.)</strong></h3><p>This late entry in the Universal Holmes/Watson series is a welcome surprise. It\'s one of the best in the series, partly because it strays from formula and partly because it summons some genuine mystery. It spends a little too much time providing comic relief at the expense of Watson, but it has a great villain, an elaborate plot, and a hair-raising finale. It\'s very loosely based on a story by Sir Arthur Conan Doyle, \"The Adventure of the Empty House,\" but it has little to do with the story aside from the return of Moriarty and clever trick Holmes uses to draw out a bad guy.</p><p>This time around, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) take on an old-fashioned murder mystery. There have been four gruesome murders in London, and the only thing connecting them is the fact that the killer has removed a finger from the victim each time. Scotland Yard is mystified, and the lead investigator, Gregson (Matthew Boulton), calls on Holmes. Holmes quickly suspects Moriarty, who was supposed to have been hanged in Uruguay, but he has to find out how the murders are connected first. This film is notable because it features a narrator, and an unlikely one at that. Gregson, the Scotland Yard inspector, tells us in an opening voiceover about the murders and how he was forced to ask Holmes for help.</p><p>In a parallel storyline, a beautiful young woman named Lydia (Hillary Brooke) has drinks with Sir George (Paul Cavanagh) and invites him back to her apartment. The film skirts the edge of Code-approved banter, as it is clear what she\'s offering and what he\'s accepting. During a very creepy scene, she hypnotizes him, and he wakes up in a flophouse in a bad part of town. He discovers something in his pocket that makes him flee in terror; from the street, newspaper hawkers trumpet another murder. He flees to Lydia\'s house, where he runs into a sad-looking man with a slow drawl, who knows where Sir George woke up and what he found in his pocket. Sir George doesn\'t know it yet, but he\'s dealing with Moriarty (Henry Daniell). Holmes must get to the bottom of the mystery of the woman in green (although you can\'t tell she\'s wearing green, since the film is black and white) and put an end to what turns out to be an elaborate blackmail plot.</p><p>Daniell, appearing in his fourth film in the series as his fourth different character, is the best Moriarty of the lot. He comes across as bored but mildly amused at the proceedings; he seems distracted and above everything, which is a perfect way to play the criminal mastermind. The scenes he shares with Holmes are among the best in the entire series; their oddly pleasant conversation about how fitting it would be to die together is a masterpiece of understatement and a showcase for the great acting that elevates this series of films.</p><p>These films are a pleasure to watch. Even the bad ones are fun, sort of like bad episodes in an otherwise good television show. Since the films are all less than 70 minutes long, the comparison to good television isn\'t far off. This was the last film written by Bertram Millhauser, who wrote five in the series, and the falloff in quality is apparent in the next entry, <em>Pursuit to Algiers</em>.</p><p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p><p>Hillary Brooke, 3rd of 3 appearances (as Lydia Marlowe) <br />John Burton, 4th of 4 (Waring) <br />Paul Cavanaugh, 3rd of 3 (Sir George Fenwick) <br />Henry Daniell, 3rd of 3 (Professor Moriarty) <br />Harold De Becker, 4th of 4 (Shoelace seller) <br />Leslie Denison, 6th of 6 (Vincent) <br />Olaf Hytten, 4th of 6 (Norris, Fenwick\'s butler) <br />Boyd Irwin, 2nd of 3 (Short-tempered officer closing window) <br />Arthur Stenning, 3rd of 3 (Mesmer Club servant) <br />Frederick Worlock, 4th of 6 (Dr. Onslow)</p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Woman in Green (1945)','','inherit','closed','closed','','382-revision-v1','','','2019-07-30 21:47:25','2019-07-30 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\n\n<h3 style=\"text-align: center;\"><strong><em>The Woman in Green</em> (Roy William Neill, 1945, 65 min.)</strong></h3>\n<p>This late entry in the Universal Holmes/Watson series is a welcome surprise. It\'s one of the best in the series, partly because it strays from formula and partly because it summons some genuine mystery. It spends a little too much time providing comic relief at the expense of Watson, but it has a great villain, an elaborate plot, and a hair-raising finale. It\'s very loosely based on a story by Sir Arthur Conan Doyle, \"The Adventure of the Empty House,\" but it has little to do with the story aside from the return of Moriarty and clever trick Holmes uses to draw out a bad guy.</p>\n<p>This time around, Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) take on an old-fashioned murder mystery. There have been four gruesome murders in London, and the only thing connecting them is the fact that the killer has removed a finger from the victim each time. Scotland Yard is mystified, and the lead investigator, Gregson (Matthew Boulton), calls on Holmes. Holmes quickly suspects Moriarty, who was supposed to have been hanged in Uruguay, but he has to find out how the murders are connected first. This film is notable because it features a narrator, and an unlikely one at that. Gregson, the Scotland Yard inspector, tells us in an opening voiceover about the murders and how he was forced to ask Holmes for help.</p>\n<p>In a parallel storyline, a beautiful young woman named Lydia (Hillary Brooke) has drinks with Sir George (Paul Cavanagh) and invites him back to her apartment. The film skirts the edge of Code-approved banter, as it is clear what she\'s offering and what he\'s accepting. During a very creepy scene, she hypnotizes him, and he wakes up in a flophouse in a bad part of town. He discovers something in his pocket that makes him flee in terror; from the street, newspaper hawkers trumpet another murder. He flees to Lydia\'s house, where he runs into a sad-looking man with a slow drawl, who knows where Sir George woke up and what he found in his pocket. Sir George doesn\'t know it yet, but he\'s dealing with Moriarty (Henry Daniell). Holmes must get to the bottom of the mystery of the woman in green (although you can\'t tell she\'s wearing green, since the film is black and white) and put an end to what turns out to be an elaborate blackmail plot.</p>\n<p>Daniell, appearing in his fourth film in the series as his fourth different character, is the best Moriarty of the lot. He comes across as bored but mildly amused at the proceedings; he seems distracted and above everything, which is a perfect way to play the criminal mastermind. The scenes he shares with Holmes are among the best in the entire series; their oddly pleasant conversation about how fitting it would be to die together is a masterpiece of understatement and a showcase for the great acting that elevates this series of films.</p>\n<p>These films are a pleasure to watch. Even the bad ones are fun, sort of like bad episodes in an otherwise good television show. Since the films are all less than 70 minutes long, the comparison to good television isn\'t far off. This was the last film written by Bertram Millhauser, who wrote five in the series, and the falloff in quality is apparent in the next entry, <em>Pursuit to Algiers</em>.</p>\n<p><b>Baker Street Regulars</b> (actors who appeared in more than two films in the series as different characters):</p>\n<p>Hillary Brooke, 3rd of 3 appearances (as Lydia Marlowe) <br />John Burton, 4th of 4 (Waring) <br />Paul Cavanaugh, 3rd of 3 (Sir George Fenwick) <br />Henry Daniell, 3rd of 3 (Professor Moriarty) <br />Harold De Becker, 4th of 4 (Shoelace seller) <br />Leslie Denison, 6th of 6 (Vincent) <br />Olaf Hytten, 4th of 6 (Norris, Fenwick\'s butler) <br />Boyd Irwin, 2nd of 3 (Short-tempered officer closing window) <br />Arthur Stenning, 3rd of 3 (Mesmer Club servant) <br />Frederick Worlock, 4th of 6 (Dr. Onslow)</p>\n\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Woman in Green (1945)','','inherit','closed','closed','','382-autosave-v1','','','2019-07-30 21:47:49','2019-07-30 21:47:49','',382,'http://itcamefrombeyondpulp.com/uncategorized/382-autosave-v1/',0,'revision','',0),(386,1,'2019-07-30 21:49:10','2019-07-30 21:49:10','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" _builder_version=\"3.26.3\"][et_pb_image global_parent=\"74\" src=\"http://itcamefrombeyondpulp.com/wp-content/uploads/2019/07/header.jpg\" url=\"http://itcamefrombeyondpulp.com\" _builder_version=\"3.26.3\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" /][/et_pb_column][/et_pb_row][/et_pb_section][et_pb_section bb_built=\"1\" fullwidth=\"on\" _builder_version=\"3.26.3\" width=\"1080px\" width_tablet=\"100%\" width_last_edited=\"on|phone\" module_alignment=\"center\" inner_module_alignment=\"center\" custom_padding=\"0px||0px||false|false\" z_index_tablet=\"500\" hover_enabled=\"0\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" prev_background_color=\"#000000\" next_background_color=\"#e02b20\" global_module=\"175\"][et_pb_fullwidth_menu global_parent=\"175\" menu_id=\"2\" submenu_direction=\"downwards\" fullwidth_menu=\"off\" dropdown_menu_text_color=\"#ffffff\" _builder_version=\"3.26.3\" menu_font=\"|800||on|||||\" menu_text_color=\"#ffffff\" menu_font_size=\"22px\" menu_letter_spacing=\"5px\" background_color=\"#e02b20\" border_width_bottom=\"5px\" text_orientation=\"center\" background_layout=\"dark\" custom_margin=\"0px||||false|false\" custom_padding=\"1px||0px||false|false\" z_index_tablet=\"500\" menu_text_shadow_horizontal_length_tablet=\"0px\" menu_text_shadow_vertical_length_tablet=\"0px\" menu_text_shadow_blur_strength_tablet=\"1px\" border_width_bottom_tablet=\"5px\" border_width_bottom_phone=\"5px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" /][/et_pb_section][et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" background_color=\"#e02b20\" width=\"1080px\" module_alignment=\"center\" custom_padding=\"10px||0px|||\" hover_enabled=\"0\" width_last_edited=\"on|tablet\" width_phone=\"100%\" width_tablet=\"100%\" prev_background_color=\"#ffffff\"][et_pb_row custom_padding=\"10px|10px||\" _builder_version=\"3.26.3\" background_color=\"#ffffff\" border_width_bottom=\"5px\" border_color_bottom=\"#e02b20\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"][et_pb_column type=\"4_4\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h1 style=\"text-align: center;\">Movies &amp; TV Reviews</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" column_structure=\"1_3,1_3,1_3\"][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\"]\r\n\r\n<h3 style=\"text-align: center;\">Sci-Fi</h3>\r\n<p style=\"text-align: center;\"><strong><a href=\"http://itcamefrombeyondpulp.com/movies/children-of-men-2006/\">Children of Men (2006)</a><br /></strong><strong><a href=\"http://itcamefrombeyondpulp.com/movies/cloverfield-2008/\">Cloverfield (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-dark-knight-2008/\">The Dark Knight (2008)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-fountain-2006/\">The Fountain (2006)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/hardware-1990/\">Hardware (1990)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-chamber-of-secrets-2002/\">Harry Potter and the Chamber of Secrets (2002)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/harry-potter-and-the-sorcerers-stone-2001/\">Harry Potter and the Sorcerer\'s Stone (2001)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/maniac-1934/\">Maniac (1934)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-phantom-planet-1961/\">The Phantom Planet (1961)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/predator-1987/\">Predator (1987)</a><br /></strong><a href=\"http://itcamefrombeyondpulp.com/movies/serenity-2005/\"><strong>Serenity (2005)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/x-men-the-last-stand-2006/\"><strong>X-Men: The Last Stand (2006)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Horror</h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/bloodrayne-2-deliverance-2007/\"><strong>BloodRayne 2: Deliverance (2007)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-cat-and-the-canary-1927/\"><strong>The Cat and the Canary (1927)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-children-1980/\"><strong>The Children (1980)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/colin-2008/\">Colin (2008)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dark-water-2005/\">Dark Water (2005)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-devils-daughter-1973/\">The Devil\'s Daughter (1973)</a></strong><br /><a href=\"http://itcamefrombeyondpulp.com/movies/masters-of-horror-the-black-cat-2007/\"><strong>Masters of Horror: The Black Cat (2007)</strong></a></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" _builder_version=\"3.0.47\" custom_padding=\"|||\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"3.26.3\" z_index_tablet=\"500\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\">Whatnot</h3><p style=\"text-align: center;\"><strong><em>Basil Rathbone/Nigel Bruce Sherlock Holmes Films</em></strong></p><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/movies/the-adventures-of-sherlock-holmes-1939/\"><strong>The Adventures of Sherlock Holmes (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-hound-of-the-baskervilles-1939/\"><strong>The Hound of the Baskervilles (1939)</strong></a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-voice-of-terror-1942/\"><strong>Sherlock Holmes and the Voice of Terror (1942)</strong></a><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-and-the-secret-weapon-1943/\">Sherlock Holmes and the Secret Weapon (1943)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-in-washington-1943/\">Sherlock Holmes in Washington (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/sherlock-holmes-faces-death-1943/\">Sherlock Holmes Faces Death (1943)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-scarlet-claw-1944/\">The Scarlet Claw (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-pearl-of-death-1944/\">The Pearl of Death (1944)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-spider-woman-1944/\">The Spider Woman (1944)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/the-house-of-fear-1945/\">The House of Fear (1945)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/the-woman-in-green-1945/\">The Woman in Green (1945)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/pursuit-to-algiers-1945/\">Pursuit to Algiers (1945)</a><br /><a href=\"http://itcamefrombeyondpulp.com/movies/terror-by-night-1946/\">Terror by Night (1946)</a></strong><br /><strong><a href=\"http://itcamefrombeyondpulp.com/movies/dressed-to-kill-1946/\">Dressed to Kill (1946)</a></strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Movies','','inherit','closed','closed','','45-revision-v1','','','2019-07-30 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header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em><img class=\"alignright wp-image-388 size-full\" src=\"http://itcamefrombeyondpulp.com/wp-content/uploads/2019/08/fallen.jpg\" alt=\"\" width=\"365\" height=\"600\" /></em></strong><strong><em>The Fallen Country</em> (Somtow Sucharitkul, 1986)</strong></h3><div>Somtow Sucharitkul (born 1952), aka S.P. Somtow, is a Thai polymath who started out as an avant garde musician in the 1970s, became a respected science fiction writer in the late 1970s, helped create the splatterpunk subgenre of horror in the early 1980s, and later returned to music. He\'s currently the director of the Bangkok Opera, which he founded. He\'s one of my favorite authors, one of the great, if unheralded, masters of any genre he cares to attempt.</div><div> </div><div>This story first appeared as a novelette in a 1982 collection called <i>Elsewhere, Vol. II</i>, and Somtow expanded it into a novel in 1986. He adapted the original 1982 story into an opera called <i><a href=\"http://www.skylightmusictheatre.org/shows-events/past-performances/the-snow-dragon\">The Snow Dragon</a></i>, which premiered at Milwaukee\'s Skylight Music Theatre in 2015. (I was there.)</div><div> </div><div>When Billy Binder appears one day, nearly frozen to death and clinging to the church belfry in the middle of a Florida heatwave, he\'s reluctantly befriended by a teenager named Charley. Billy\'s only escape from his mother\'s abusive boyfriend Stark is into the Fallen Country, a snowbound world where the cold numbs the emotions of its inhabitants until they\'re little more than zombies, and Billy rides a snow dragon to save beautiful princesses and vanquish monsters. Stark is here, too, as the evil Ringmaster, his lion tamer\'s whip scarring the sky and cutting the flesh of Billy\'s dragon guide. </div><div> </div><div><div>Of course it\'s an imaginary world, right? The kind that abused kids take refuge in, a place where they have power, where they can fight back. But Billy\'s alternate reality is real, as Charley is forced to acknowledge when he\'s swept into the Fallen Country to help Billy in his quest to vanquish the Ringmaster. Billy has power here—his anger—and he decides that he can put a stop to Stark\'s reign of terror.</div></div><div> </div><div>I believe this was marketed as young adult fantasy, and it\'s dark as hell. Billy suffers horrific abuse at Stark\'s hands, physical and possibly sexual, and the system either can or will do nothing about it. It\'s graphic and regular, and it\'s a little hard to take. There\'s also some inappropriate flirting between Charley and Dora, the hapless school counselor who tries to convince Billy that the Fallen Country isn\'t real. </div><div> </div><div>Someone at the <i>Washington Post</i> (I\'ve been unable to ascertain who said it) said that \"Sucharitkul can create a world with less apparent effort than some writers devote to creating a small room.\" That\'s true, and not true at the same time. Yes, he can create a world in a couple of paragraphs: the Fallen Country feels like a real place as soon as we enter it, perhaps because Somtow has a staggering recall of the myths and legends of several cultures, and he can employ shortcuts without them seeming like shortcuts, or perhaps because he\'s a fantastic writer. Probably both.</div><div> </div><div>But when shortcuts appear in the mundane world of Boca Blanca, Florida, it\'s more obvious: characters are sometimes distressingly wooden (Dora the counselor seems less like a person than a mouthpiece for generations of bad child psychology), and scenes that aren\'t about Billy and his trauma feel rushed, like Somtow was impatient to get to what he came here to write about.</div><div> </div><div>It\'s still a great and valuable novel despite these complaints because nobody writes better than Somtow when he\'s in the zone. The complex relationship of Billy and Stark is so painfully real that I found myself weeping, having grown up not in the Fallen Country but perhaps somewhere on the outskirts. Somtow\'s insight into the tools kids use to overcome abuse is clear and compelling, and he does a fantastic job balancing the requirements of a fantasy novel and the dead serious subject matter he\'s addressing. In the best possible way, this is literature about escape and healing that functions as an escape and as a tool for healing.</div>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Fallen Country (1986)','','publish','closed','closed','','the-fallen-country-1986','','','2019-08-02 03:54:51','2019-08-02 03:54:51','',0,'http://itcamefrombeyondpulp.com/?p=387',0,'post','',0),(389,1,'2019-08-02 03:54:51','2019-08-02 03:54:51','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" _builder_version=\"3.26.3\"][et_pb_image 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong><em><img class=\"alignright wp-image-388 size-full\" src=\"http://itcamefrombeyondpulp.com/wp-content/uploads/2019/08/fallen.jpg\" alt=\"\" width=\"365\" height=\"600\" /></em></strong><strong><em>The Fallen Country</em> (Somtow Sucharitkul, 1986)</strong></h3><div>Somtow Sucharitkul (born 1952), aka S.P. Somtow, is a Thai polymath who started out as an avant garde musician in the 1970s, became a respected science fiction writer in the late 1970s, helped create the splatterpunk subgenre of horror in the early 1980s, and later returned to music. He\'s currently the director of the Bangkok Opera, which he founded. He\'s one of my favorite authors, one of the great, if unheralded, masters of any genre he cares to attempt.</div><div> </div><div>This story first appeared as a novelette in a 1982 collection called <i>Elsewhere, Vol. II</i>, and Somtow expanded it into a novel in 1986. He adapted the original 1982 story into an opera called <i><a href=\"http://www.skylightmusictheatre.org/shows-events/past-performances/the-snow-dragon\">The Snow Dragon</a></i>, which premiered at Milwaukee\'s Skylight Music Theatre in 2015. (I was there.)</div><div> </div><div>When Billy Binder appears one day, nearly frozen to death and clinging to the church belfry in the middle of a Florida heatwave, he\'s reluctantly befriended by a teenager named Charley. Billy\'s only escape from his mother\'s abusive boyfriend Stark is into the Fallen Country, a snowbound world where the cold numbs the emotions of its inhabitants until they\'re little more than zombies, and Billy rides a snow dragon to save beautiful princesses and vanquish monsters. Stark is here, too, as the evil Ringmaster, his lion tamer\'s whip scarring the sky and cutting the flesh of Billy\'s dragon guide. </div><div> </div><div><div>Of course it\'s an imaginary world, right? The kind that abused kids take refuge in, a place where they have power, where they can fight back. But Billy\'s alternate reality is real, as Charley is forced to acknowledge when he\'s swept into the Fallen Country to help Billy in his quest to vanquish the Ringmaster. Billy has power here—his anger—and he decides that he can put a stop to Stark\'s reign of terror.</div></div><div> </div><div>I believe this was marketed as young adult fantasy, and it\'s dark as hell. Billy suffers horrific abuse at Stark\'s hands, physical and possibly sexual, and the system either can or will do nothing about it. It\'s graphic and regular, and it\'s a little hard to take. There\'s also some inappropriate flirting between Charley and Dora, the hapless school counselor who tries to convince Billy that the Fallen Country isn\'t real. </div><div> </div><div>Someone at the <i>Washington Post</i> (I\'ve been unable to ascertain who said it) said that \"Sucharitkul can create a world with less apparent effort than some writers devote to creating a small room.\" That\'s true, and not true at the same time. Yes, he can create a world in a couple of paragraphs: the Fallen Country feels like a real place as soon as we enter it, perhaps because Somtow has a staggering recall of the myths and legends of several cultures, and he can employ shortcuts without them seeming like shortcuts, or perhaps because he\'s a fantastic writer. Probably both.</div><div> </div><div>But when shortcuts appear in the mundane world of Boca Blanca, Florida, it\'s more obvious: characters are sometimes distressingly wooden (Dora the counselor seems less like a person than a mouthpiece for generations of bad child psychology), and scenes that aren\'t about Billy and his trauma feel rushed, like Somtow was impatient to get to what he came here to write about.</div><div> </div><div>It\'s still a great and valuable novel despite these complaints because nobody writes better than Somtow when he\'s in the zone. The complex relationship of Billy and Stark is so painfully real that I found myself weeping, having grown up not in the Fallen Country but perhaps somewhere on the outskirts. Somtow\'s insight into the tools kids use to overcome abuse is clear and compelling, and he does a fantastic job balancing the requirements of a fantasy novel and the dead serious subject matter he\'s addressing. In the best possible way, this is literature about escape and healing that functions as an escape and as a tool for healing.</div>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','The Fallen Country (1986)','','inherit','closed','closed','','387-revision-v1','','','2019-08-02 03:54:51','2019-08-02 03:54:51','',387,'http://itcamefrombeyondpulp.com/uncategorized/387-revision-v1/',0,'revision','',0),(388,1,'2019-08-02 03:53:45','2019-08-02 03:53:45','','fallen','','inherit','closed','closed','','fallen','','','2019-08-02 03:53:45','2019-08-02 03:53:45','',387,'http://itcamefrombeyondpulp.com/wp-content/uploads/2019/08/fallen.jpg',0,'attachment','image/jpeg',0),(390,1,'2019-08-02 03:57:47','2019-08-02 03:57:47','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" 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header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"]\r\n\r\n<h1 style=\"text-align: center;\">BOOK REVIEWS</h1>\r\n<h2 style=\"text-align: center;\">Coming soon.</h2>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"][et_pb_column type=\"1_3\"][et_pb_text _builder_version=\"3.26.3\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength_tablet=\"1px\" 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Object%93\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong>Sci-Fi/Fantasy</strong></h3><p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/books/the-fallen-country-1986/\"><strong>The Fallen Country</strong></a><br /><strong>(Somtow Sucharitkul, 1986)</strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\"][et_pb_text _builder_version=\"3.26.3\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength_tablet=\"1px\" 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z_index_tablet=\"500\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong>Whatnot</strong></h3>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Books','','inherit','closed','closed','','33-revision-v1','','','2019-08-02 03:57:47','2019-08-02 03:57:47','',33,'http://itcamefrombeyondpulp.com/uncategorized/33-revision-v1/',0,'revision','',0),(391,1,'2019-08-02 04:00:26','2019-08-02 04:00:26','[et_pb_section bb_built=\"1\" _builder_version=\"3.26.3\" custom_padding=\"0px|||||\" z_index_tablet=\"500\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" custom_margin=\"||11px|||\" next_background_color=\"#000000\" global_module=\"74\"][et_pb_row global_parent=\"74\" custom_padding=\"0px||0px|||\" custom_margin=\"|auto|-66px|auto||\" _builder_version=\"3.26.3\"][et_pb_column type=\"4_4\" global_parent=\"74\" _builder_version=\"3.26.3\"][et_pb_image global_parent=\"74\" 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header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"]\r\n\r\n<h1 style=\"text-align: center;\">BOOK REVIEWS</h1>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=\"3.26.3\" background_color=\"#ffffff\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"][et_pb_column type=\"1_3\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"3.26.3\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong>Sci-Fi/Fantasy</strong></h3>\r\n<p style=\"text-align: center;\"><a href=\"http://itcamefrombeyondpulp.com/books/the-fallen-country-1986/\"><strong>The Fallen Country</strong></a><br /><strong>(Somtow Sucharitkul, 1986)</strong></p>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"3.26.3\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length_tablet=\"0px\" header_2_text_shadow_blur_strength=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_blur_strength_tablet=\"1px\" header_3_text_shadow_horizontal_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_horizontal_length_tablet=\"0px\" header_3_text_shadow_vertical_length=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_vertical_length_tablet=\"0px\" header_3_text_shadow_blur_strength=\"header_3_text_shadow_style,%91object Object%93\" header_3_text_shadow_blur_strength_tablet=\"1px\" header_4_text_shadow_horizontal_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_horizontal_length_tablet=\"0px\" header_4_text_shadow_vertical_length=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_vertical_length_tablet=\"0px\" header_4_text_shadow_blur_strength=\"header_4_text_shadow_style,%91object Object%93\" header_4_text_shadow_blur_strength_tablet=\"1px\" header_5_text_shadow_horizontal_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_horizontal_length_tablet=\"0px\" header_5_text_shadow_vertical_length=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_vertical_length_tablet=\"0px\" header_5_text_shadow_blur_strength=\"header_5_text_shadow_style,%91object Object%93\" header_5_text_shadow_blur_strength_tablet=\"1px\" header_6_text_shadow_horizontal_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_horizontal_length_tablet=\"0px\" header_6_text_shadow_vertical_length=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_vertical_length_tablet=\"0px\" header_6_text_shadow_blur_strength=\"header_6_text_shadow_style,%91object Object%93\" header_6_text_shadow_blur_strength_tablet=\"1px\" box_shadow_horizontal_tablet=\"0px\" box_shadow_vertical_tablet=\"0px\" box_shadow_blur_tablet=\"40px\" box_shadow_spread_tablet=\"0px\" z_index_tablet=\"500\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong>Horror</strong></h3>\r\n\r\n[/et_pb_text][/et_pb_column][et_pb_column type=\"1_3\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"3.26.3\" text_text_shadow_horizontal_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_horizontal_length_tablet=\"0px\" text_text_shadow_vertical_length=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_vertical_length_tablet=\"0px\" text_text_shadow_blur_strength=\"text_text_shadow_style,%91object Object%93\" text_text_shadow_blur_strength_tablet=\"1px\" link_text_shadow_horizontal_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_horizontal_length_tablet=\"0px\" link_text_shadow_vertical_length=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_vertical_length_tablet=\"0px\" link_text_shadow_blur_strength=\"link_text_shadow_style,%91object Object%93\" link_text_shadow_blur_strength_tablet=\"1px\" ul_text_shadow_horizontal_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_horizontal_length_tablet=\"0px\" ul_text_shadow_vertical_length=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_vertical_length_tablet=\"0px\" ul_text_shadow_blur_strength=\"ul_text_shadow_style,%91object Object%93\" ul_text_shadow_blur_strength_tablet=\"1px\" ol_text_shadow_horizontal_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_horizontal_length_tablet=\"0px\" ol_text_shadow_vertical_length=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_vertical_length_tablet=\"0px\" ol_text_shadow_blur_strength=\"ol_text_shadow_style,%91object Object%93\" ol_text_shadow_blur_strength_tablet=\"1px\" quote_text_shadow_horizontal_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_horizontal_length_tablet=\"0px\" quote_text_shadow_vertical_length=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_vertical_length_tablet=\"0px\" quote_text_shadow_blur_strength=\"quote_text_shadow_style,%91object Object%93\" quote_text_shadow_blur_strength_tablet=\"1px\" header_text_shadow_horizontal_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_horizontal_length_tablet=\"0px\" header_text_shadow_vertical_length=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_vertical_length_tablet=\"0px\" header_text_shadow_blur_strength=\"header_text_shadow_style,%91object Object%93\" header_text_shadow_blur_strength_tablet=\"1px\" header_2_text_shadow_horizontal_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_horizontal_length_tablet=\"0px\" header_2_text_shadow_vertical_length=\"header_2_text_shadow_style,%91object Object%93\" header_2_text_shadow_vertical_length_tablet=\"0px\" 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z_index_tablet=\"500\"]\r\n\r\n<h3 style=\"text-align: center;\"><strong>Whatnot</strong></h3>\r\n\r\n[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]','Books','','inherit','closed','closed','','33-revision-v1','','','2019-08-02 04:00:26','2019-08-02 04:00:26','',33,'http://itcamefrombeyondpulp.com/uncategorized/33-revision-v1/',0,'revision','',0),